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This year marks the 50th anniversary of the Cuban Revolution and Fidel Castro’s rise to power, a period of drastic cultural and political change in the island nation’s history. Marking this occasion, The Boston Printmakers, an artists?? association at Emmanuel College, are presenting an exhibition titled “Making Connections: Contemporary Cuban Printmakers.” Since early October and continuing through Sunday at The Laconia Gallery in Boston, the exhibition showcases prints by over 90 contemporary Cuban artists...

Author: By Brian A. Feldman, CONTRIBUTING WRITER | Title: Beyond the Embargo: Cuban Art | 11/20/2009 | See Source »

...important ability to inform the Boston area about lesser-known artists who have little opportunity or ability to publicize themselves. Additionally, Javan says, “Something like this isn’t going to come around for a while,” again citing restrictions on Cuban artists?? mobility and ability to introduce their artwork into America. “Making Connections: Contemporary Cuban Printmakers” offers an opportunity to engage with a culture that rarely gets publicized in America from a new perspective. “We’re bringing exposure to these wonderful...

Author: By Brian A. Feldman, CONTRIBUTING WRITER | Title: Beyond the Embargo: Cuban Art | 11/20/2009 | See Source »

...ended up suffering mightily because of their use of drugs. This may well be a question worth researching, but I would never suggest that someone try to enhance their creativity by experimenting with drugs in an unsupervised setting.” Like the many greats who preceded them, student artists??both poets and painters—use drugs to ease the process of creation...

Author: By Noël D. Barlow and Eunice Y. Kim, CRIMSON STAFF WRITERS | Title: High Art | 11/13/2009 | See Source »

...taken from white artists as profoundly influenced by black music as Phoenix has been. Selected gems from these singers and songwriters—Elvis Costello, Dusty Springfield, Lou Reed, the Dirty Projectors, to name a few—are paired with songs by preceding, contemporaneous, and succeeding black artists??The Impressions, D’Angelo. For Phoenix, stylistic connections trump relations of chronology or influence. Placing Elvis Costello’s schmaltzy, intricate “Shipbuilding,” just before D’Angelo’s wholly different, yet still schmaltzy and intricate...

Author: By Ruben L. Davis, CONTRIBUTING WRITER | Title: Smoldering Musical Discourse, Rising from the Ashes | 10/30/2009 | See Source »

...Save Darfur, the Harvard Darfur Action Group has brought this small sampling to campus in an effort to inspire interest in their cause. Trevor J. Bakker ’10, one of the co-presidents of HDAG, hopes that the exhibition—which also includes paintings by Sudanese artists??will remind students on campus of a conflict in a faraway section of the world. To this end, the art is largely accessible; the photographs play with identifiable imagery, capitalizing on something that one may have once seen or felt. “[This art] may reference things...

Author: By Beryl C.D. Lipton, CRIMSON STAFF WRITER | Title: Have An 'Art | 9/25/2009 | See Source »

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