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...start, Harvard could put back into use the many vacant commercial properties it owns in Allston and Brighton. We look at the Harvard Ceramics Studio, a jewel of a program already in Allston but cramped in the basement of a nondescript building, and see great potential for classes, artists?? studios, and retail space that could benefit everyone. Beyond that, planning for Harvard’s campus could take a new and fundamentally different approach that brings people together instead of pushing them away...

Author: By Henry Mattison | Title: Will Harvard Lead In Allston? | 9/11/2007 | See Source »

...rocky landscapes, the exhibit is organized thematically from architectural studies to fruit and flower still lifes. Ruskin’s work lies alongside those of his followers. Ruskin’s influence is apparent in the clear tones and precision of these works, but one can also perceive the artists?? own variations from Ruskin’s style.The centerpiece, and perhaps the best work, of the show is Moore’s “Peacock Feather” (c. 1879-82), which hangs side-by-side with Ruskin’s “Study...

Author: By Victoria D. Sung, CONTRIBUTING WRITER | Title: Fogg Dips Into Ruskinian Watercolor Era | 4/13/2007 | See Source »

...were familiar with. Therefore, they modeled their “social sculpture” on the neighborhood video rental store, and the work of art was that people could walk in, check out a video for free, and watch it in the comfort of their own homes.One of the artists?? few mandates is that the exhibit must stay for at least three months in each of its destination cities, and the host gallery must organize free public screenings. Several Harvard professors and students, as well as visitors from MIT and the New York-based magazine Bidoun have...

Author: By Jillian J. Goodman, CRIMSON STAFF WRITER | Title: E-Flux Video Experiment Closes Up Shop | 4/6/2007 | See Source »

...expression of wild fear. The facial expressions and body language of the figures evoke an unsettling feeling that is not easily forgotten. NOT MUCH THERE Yet, after this piece, the energy of the show dwindles. The photographs are too diverse, with the only tangible connection between them being the artists?? shared ethnicity. It’s difficult to figure out the correlation from one work to another. In fact, each work would probably be stronger if it were to stand alone, as a couple of the works are very interesting, at least conceptually. Dayanita Singh?...

Author: By Victoria D. Sung, CONTRIBUTING WRITER | Title: South Asian Photo Exhibit Ultimately Too Broad | 4/6/2007 | See Source »

...same ordinary materials for his art as the Fluxus artists and Duchamp, he held fast to the idea that art does, in fact, exist for spiritual rejuvenation, and not just wild experimentation.The strategy of pairing Beuys and Fluxus in the same exhibit works well, drawing attention to the artists?? personal feelings on the purpose of art itself. A WORLD OF PURE IMAGINATIONThe exhibit is set in two different rooms, each filled with items that look like they might be found in a Twilight Zone version of an average grocery or toy store.Although at first glance the objects appear...

Author: By Abigail J. Crutchfield, CONTRIBUTING WRITER | Title: Two Visions, Accidentally Colliding | 3/1/2007 | See Source »

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