Word: artists
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Dates: during 1920-1929
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FOOTNOTE>*Drawn by Artist Paul Brown after studies from the life at Becher's Brook...
...Soglow ambitions are modest. He confines himself to vignettes. Sometimes they are smokily morbid, but the artist is more often impelled to bitter Hogarthian humor. As a regular contributor to the New Masses, he was (in the March issue) allowed to lampoon the staff of that earnest, proletarian monthly as a ridiculous, sour and impoverished quartet, weary of life and thought. O. Soglow is a signature frequently seen also in the blithely capitalistic New Yorker. There he is the Harpo Marx of art, maintaining a pungent silence with untitled comic strip exercises in pantomime, often verging on the vulgar. Recently...
...illustrated with some of the more conventional work of George Cruikshank, the plates being engraved by him from drawings by other men. The same thing is true of "An Historical Account of the Battle of Waterloo" written by William Mudford Esq. and printed in 1816. This artist is more appealing, however, in what is the most valuable and probably the most interesting work in the display, namely "The Humorist, a Collection of Entertaining Tales, Anecdotes, Epigrams, Bon Mots, etc., etc." The work is made up of several small volumes illustrated in an uproariously grotesque manner...
...pieces of sculpture by Constantin Brancusi, one of which is a famous "Flight of the Bird," should be among the most interesting features of the exhibit. In the program note for the show there is the following comment on this eminent sculptor: "An artist of enormous technical knowledge he has experimented, refined, synthesized, and perfected until his forms are the inevitable essentials of his model, expressed in media whose possibilities he has so completely explored." "Standing Nude" by Aristide Maillol is another piece of sculpture that will appear in the exhibition...
President and Mrs. A. Lawrence Lowell have lent one of the interesting Monet's in the exhibition. It is an excellent example of Monet's scientific handling of color and of the artist's ability to express just what one sees at a glance