Word: artists
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Dates: during 1920-1929
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...Artist Robinson first concerned himself with medium-what to paint with, what on. He decided on canvas because he could then work anywhere and the murals, when finished, could be easily moved about. He then asked himself what paint had had the benefit of most research and chemical improvement. Obviously, automobile-paint. He hired a workshop, made sketches in pen, pencil, paint. Models of every race and color trooped in and out. The better to understand three-dimensional space he first modelled his groups so that he could look down upon their heads and look behind them to find what...
Last week friends of the artist were permitted to see in Manhattan nine of a series of ten new murals by Boardman Robinson for department-store tycoon Edgar Kaufmann of Pittsburgh...
Three years ago, Edgar Kaufmann, on culture bent, decided to remodel his store. He scoured the U. S. for a good draughtsman, found Boardman Robinson, painter-cartoonist, asked him for a set of murals expressing the history of commerce. Some years before, Artist Robinson had concluded that the only excuse for painting was to subserve architecture and had applied himself to that problem. Delightedly he accepted the commission, but reserved the right to be his own master at all times, to make his own designs, be left alone. Mr. Kaufmann agreed...
...daughter of Founder Rockefeller, onetime wife of Trustee Harold Fowler McCormick) and her bosom socialite friend Mrs. Waller Borden; onetime Governor & Mrs. Frank Orren Lowden; Senator & Mrs. Charles Samuel Deneen; Editorial Writer & Mrs. Tiffany Blake of the Tribune; Miss Caroline ("Madame X") Kirkland, society colyumist of the Tribune; and Artist Frederick Clay Bartlett and his socialite sister; Bishop & Mrs. Charles Palmerston Anderson (he is the new presiding officer of the Protestant Episcopal Church; Mr. & Mrs. Louis Eckstein (he backs the Ravinia Opera); Mr. & Mrs. Kellogg Fairbank (she, a potent socialite Democrat); Mrs. Bertha Baur (socialite Republican); Mr. and Mrs. Arch...
...series of 138 woodcuts, of which every picture helps to tell the story, the allegory of an artist's life is unfolded. The pictures are obvious enough, and placed in such obvious sequence that even a novel-browser may read both tale and fable aright. The artist comes to a strange land, gets into difficulties from which he is rescued by a mysterious masked figure. End of Part I. The artist comes to a city, paints pictures, is taken up by a patron, lionized, supplied with a mistress. End of Part II. He is happy with her until...