Word: artists
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Dates: during 1930-1939
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Divorced. Grant Wood, 47, earthy U. S. artist whose neat, ironic brush has stirred up many a dust storm (American Gothic, Daughters of Revolution, TIME, Sept. 5, 1932); from Sarah Sherman Wood, 55; in Iowa City, Iowa. Grounds: inhuman treatment...
...Handling of tissues with fingers cannot be as facile, gentle or safe as handling with properly designed, delicate instruments." A surgeon should spend his life in "a constant search for better instruments until he emerges finally as an artist, not an artisan." Blood transfusion is "essential in certain disorders, and most valuable in preparing the patient for a major ordeal; but its use following a surgical performance is at least suggestive that a more careful technique would have made this unnecessary...
...opened which showed him equally proficient with brush, crayon, etcher's needle. At the Knoedler Galleries was a loan exhibition of his portraits and drawings. The Arthur Harlow Galleries showed the first complete exhibition of his etchings. With his projected English commissions canceled or postponed "for the duration," Artist Brockhurst, whose deafness kept him out of World War I, planned to paint portraits in the U. S. for at least the first part of World...
...Artist Brockhurst's portraits have the bloom and precise brushwork of the Umbrian school of Italian painters. The figures are serene, meticulously painted against quiet-colored Tuscan landscapes of rolling hills, flowing water, umbrella pines. But posterity is in no danger of mistaking the nationality of his subjects. Brock-hurst's Americans are American, his English sitters unmistakably English. Suavest of his U. S. portraits is that of Mrs. Paul Mellon, the Vassar graduate and divorcee whom Banker Andrew's only son married in 1935.* His drawings and etchings show the same care for line and texture...
...Birmingham coal dealer, Artist Brockhurst was born in 1890. At twelve he entered the Birmingham School of Art, was soon hailed as "a young Botticelli," won prize after prize there and at the Royal Academy Schools in London. A smooth success from his first one-man show in 1915, Limner Brockhurst charges up to ?2,000 for a full-length portrait, limits his commissions to ?20,000 a year. His person is as meticulous as his painting. He has a horror of Bohemianism, would rather stain his Bond Street suits with paint than cover them up with a smock...