Word: artists
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Dates: during 1930-1939
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...waters. He bought a Newfoundland trawler, L'lle Bourbon, spent a small fortune transforming it into a floating refrigerator. Then he assembled as ill-assorted a crew as ever walked up a gangplank: his expansive, motherly wife, who had once lived with natives in Madagascar; a blonde artist (niece of Paul Chabas, painter of September Morn); a Breton radio operator and his bitter-tongued fishwife; a Turkish engineer; a doctor and his wife, a Parisian hairdresser who filled her trunk with useless sport clothes; a mechanic and his wife; about 25 common seamen and lobstermen. Another bad mistake...
Great artistry and great anger together made Francisco Goya's etchings of the Napoleonic War immortal. The bestialities of the last War were likewise excoriated by German Artist George Grosz. But not often in history has a regime officially at peace stirred an etcher to the anger and disgust shown in a portfolio to be exhibited early this month at the Baltimore Museum of Art. Entitled Ecraser l'Infàme ("Crush the Infamous"), these etchings are by a 33-year-old Austrian, Baron Rudolf Charles von Ripper, an "Aryan" and devout Roman Catholic, who, in the winter...
...self-taught artist and international wanderer, friend of Grosz in Berlin in the middle '20s, von Ripper resisted Nazi beatings so well that the late Austrian Government was finally able to rescue him. Elaborately Freudian and symbolic, his etchings are related in texture and technique as closely to Goya as to Contemporaries Grosz and Max Ernst. One of them is of the Man of the Year (see cover}. Artist von Ripper, an "Enemy of the State" in Germany, considers his work his answer to a Gestapo-Commissioner who warned him to keep his mouth shut...
When at last the Examiner comes on board to judge them, the audience settles back to relish the play's meatiest, juiciest moments. But they are also its weakest: the inquisitor is too whimsically conceived, vice is too glibly punished, virtue too sentimentally recompensed. Perhaps a better artist (though a less canny storyteller) would have rung down his curtain as his characters, in bewilderment and trepidation, reached the threshold of their eternal home. It takes at least a Dante to draw a convincing diagram of Hell...
...flowing brushwork and radiant color scale of Renoir exact joy from an artist and very nearly limit him to that. Clackens' work in the last two decades of his life included fewer sombre or dressed-up studies, more scenes of outdoors and summer. On a Long Island beach he painted early bathing girls in a bobbing timorous ring in blue water. He caught the gaiety of later swimmers from Long Island to St. Jean...