Word: artists
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Dates: during 1930-1939
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...that will be recognizable to everybody. In Seattle he is preparing an exhibition of his own painting, finishing a semi-autobiographical volume, dropping the oblique, off-hand remarks that distinguish his work far more than its formal arguments. Typical Ozenfant aphorisms: "It is not art that fails, but the artist." "Art is the demonstration that the ordinary is extraordinary." "Let us once a year . . . enjoy all our rights, including that of not abusing them." "There are 30,000 painters in Paris. Counting one per thousand there are thirty geniuses among them. I must have made a mistake somewhere...
Thomas Hart Benton received $16,000 for the remarkable murals of American life which he painted on 1,000 square feet of wall surface in Missouri's capitol at Jefferson City. Also full of salty realism was his autobiography, An Artist in America. A Kansas City real-estate operator named Howard Huselton read the book till his eyes popped, found it "sensual, gross, profane, vulgar." It seemed a parlous thing to Mr. Huselton that the author of such a work should be instructor at the Kansas City Art Institute. Round to the Institute's board of governors pattered...
Biggest contribution of the Brooklyn show, however, was its evidence of Gauguin's ceaseless experimenting, tireless ingenuity. Visitors could see how the artist became dissatisfied with his woodcuts after making a few impressions, altered details that displeased him, strengthened effects that he liked. Curator of prints, Carl O. Schneiwind, who assembled the show and is revising the Guérin catalogue of Gauguin's prints, believes that as Gauguin's rich paintings resemble tapestry, his woodcuts resemble murals. To prove it he made a photographic enlargement of Gauguin's biggest woodcut, dramatized his thesis that Gauguin...
...Carnegie International show in Pittsburgh last autumn, visitors in the German room stopped before an arresting painting that Critic Edward Alden Jewell described as "beautiful, breathless, haunted and haunting." It was Along the Shore, by a 33-year-old Munich artist named Edgar Ende, and although it won no prize, many a visitor wondered about the work of the artist who created its sombre vision of gloomy sky and water, its statuelike group of horses...
Meanwhile, 31-year-old Carlton Cook, amateur lyricist, artist and poet of Denver, Colo., happened to read in a paper the text of a speech by Kitty Cheatham, a folk-song singer, which was delivered last year during International Women's Week in Budapest. "Can you imagine the effect," Miss Cheatham had asked, "if all the nations of the world would join together and sing Hallelujah?" These words were practically a revelation to Lyricist Cook. He too, like Bandleader Lopez, had long brooded over the U. S. National Anthem's imperfections, particularly deprecated such sworded sentiments...