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Word: artists (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

...What Artist Earle crossed the U. S. to see was not city life but countryside. Result: a sheaf of landscapes remarkable for their suggestion of distances, land masses and weather moods, a soft poem of U. S. mountains as Pare Lorentz' documentary movie, The River (TIME, Nov. 8), is a hard poem of U. S. rivers. In Desert Near Santa Fe he caught with a series of fine washes, quickly dried with the brush, the 90-mile, lucent light of the Southwest; in Color Splendor he framed the broad Shenandoah Valley. Critics who doubt the permanency of soft poems...

Author: /time Magazine | Title: Art: Water-Colorists | 3/7/1938 | See Source »

Master. As free and furious as they come is John Marin, the acknowledged master of living U. S. water-colorists and an artist almost certainly great. Last week his old friend and patron, Alfred Stieglitz, opened an exhibition of Marin paintings done during the last two years. To discerning critics they were simpler and more exciting than any previous Marin exhibition...

Author: /time Magazine | Title: Art: Water-Colorists | 3/7/1938 | See Source »

...autobiographical essays from the manuscripts in the Caroline Miller Parker Collection in the Treasure Room form the text of the book. These interesting notes jotted down in odd moments by this 19th century artist and decorator reveal his background and how he started on his career...

Author: NO WRITER ATTRIBUTED | Title: Crane's "Hazelford Sketch Book" Published by Press | 3/5/1938 | See Source »

First represented is a work by Moronobu "Lovers in an Autumn Meadow." This artist was responsible for bringing art to the masses and, as shown by the work, dealt entirely in black and white. About 1714 colors were first used, which tended to popularize the prints even more. Working in this period was Masanobu, who shows by "Sukeroku" a great technical advance over his contemporaries...

Author: NO WRITER ATTRIBUTED | Title: Collections & Critiques | 3/1/1938 | See Source »

...George L. K. Morris, whose inspiration for this pattern of rose, purple, black, green and orange forms came from objects in the Museum of the American Indian. Thoughtful critics believe that simple designs of this character hold the most promise for abstract art in the U. S. To the artist an abstraction may be either child's play with pretty shapes or a highly organized intellectual design. To the spectator it is decoration-at best, pure and simple; at worst, impure and complex. Last week's spectators saw a few abstractions that were pure and simple enough...

Author: /time Magazine | Title: Art: Abstract Baptism | 2/28/1938 | See Source »

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