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Word: artists (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...review of Pillow Talk]. I can smell a compliment better than anyone I have ever met. No, all I really have to complain about is that I think you underrate Clark Gable [in the Oct. 12 review of But Not for Me]; he's really a deceptively good artist. That's all-but if overrating me goes with underrating him, then God praise the equation. TONY RANDALL

Author: /time Magazine | Title: Letters, Nov. 2, 1959 | 11/2/1959 | See Source »

...museum to show how mad the 20th Century is," editorialized the New York Daily Mirror. "Mr. Wright's greatest building, New York's greatest building." said Architect Philip Johnson, "one of the greatest rooms of the 20th century." "Frank has really done it," snapped one artist. "He has made painting absolutely unimportant...

Author: /time Magazine | Title: Art: Last Monument | 11/2/1959 | See Source »

...continuous floor," a gigantic, uncoiling drum of reinforced concrete that swelled outward as it rose, carrying within more than one-quarter mile of continuous ramps sloping upward six stories to a great glass dome 92 ft. above the ground. Paintings were to be tilted backward, "as on the artist's easel"; lighting would come from skylights above the ramp and would be reflected downward by louvers. "The net result of such construction is greater repose," Wright declared, "an atmosphere of the unbroken wave-no meeting of the eye with angular or abrupt changes of form...

Author: /time Magazine | Title: Art: Last Monument | 11/2/1959 | See Source »

Another new artist of major importance is the young Swedish spinto soprano, Elisabeth Soederstroem who portrays Suzanna in the new Figaro. She acts charmingly and phrases with a sensitivity and delightful youthfulness that only a born Suzanna could achieve...

Author: By Ian Strasfogel, | Title: A Week at the Opera | 10/30/1959 | See Source »

...production of Figaro holds especial interest for opera-goers because it has been designed by Oliver Messel, the distinguished English artist noted for his work in the Glyndebourne Festival. Messel is so flooded with commissions that, a few years back, he refused even to answer a letter from the Met seeking his help on another opera. He was a he is, finally got him to do Figaro--a favorite of Messel...

Author: By Ian Strasfogel, | Title: A Week at the Opera | 10/30/1959 | See Source »

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