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Word: artists (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...usual collection of photographs. There are no glamor portraits, sex symbols or Earth Mothers ("Nude women have floated in still ponds, been massaged by rushing waters, prayed at the base of phallic trees, and danced in grassy fields with the wind in their (long, blond) hair . . ."). Yet each artist represented reveals an intensely personal style that escapes stereotyping. These people are comfortable with their womanhood and can fill their art with what Virginia Woolf called "that curious sexual quality which comes only when sex is unconscious of itself...

Author: By Anemona Hartocollis, | Title: The Woman's Eye | 3/6/1974 | See Source »

...main debt Belgian surrealism owed to the 19th century was, however, one of mood. Whether the artist was Degouve de Nuncques painting a strange, silent forest and a Magritte-like nocturnal house, or Khnopff giving a foretaste of the deserted townscapes of surrealism with his drawing of a city abandoned to the sea, or Leon Spilliaert producing a haunted self-portrait, the images constantly predict the sense of solitude and disquiet in which surrealism reveled...

Author: /time Magazine | Title: Art: The Psychic Roots of the Surreal | 3/4/1974 | See Source »

Hiroshima Mon Amour (1959) is one of the films that was most responsible for acceptance of the French New Wave among intellectuals, back when it was a new wave. Alain Resnais, who made the film, does not seem such a major artist judging from the films he has made in the last 15 years, but Hiroshima itself is still potent--especially in the few scenes about the nuclear disaster. The film begins with a French actress falling in love with a Japanese architect in Hiroshima, and after that the associations of love and war provoke a dislocation of memory...

Author: By Richard Shepro, | Title: THE SCREEN | 2/28/1974 | See Source »

...Harvard compromises the artist. We handball players must spurn the ivied walls and swat out our existences in sterile squash courts...

Author: By Philip Weiss, | Title: Weiss Up | 2/22/1974 | See Source »

...earlier broad attacks on Beethoven and Schubert were more clearly directed at the music itself. The criticism goes beyond the notion that the class and status of a composer affects the music he writes. Social conditions obviously govern any artist's work, but in instrumental music it isn't always' clear that the finished product conveys any more than abstract emotion to the listener. Music is the purest form of art. When the writers of the late 19th century Aesthetic movement wished to avoid the moral questions posed by their own art they tried to imitate the social indifference...

Author: By Richard Shepro, | Title: Beethoven: A Running Dog? | 2/21/1974 | See Source »

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