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Word: artists (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...Cover: Appliquéd banner by Norman Laliberté. The artist depicts no particular tribesman nor any specific art motif. "The Indian is much more universal," says Laliberté. "I tried to use the colors they use and to relate the Indian to the bird, representing freedom and peace." By positioning the bird atop the figure, Laliberté intends it as a kind of crown "to show the kingship and the power before the white man came...

Author: /time Magazine | Title: A Letter From The Publisher: Feb. 9, 1970 | 2/9/1970 | See Source »

...comicstrip, he did some reading in sci-fi magazines-then just entering their fabled Golden Age-and found two stories he liked; "Armageddon 2419 A. D." and "The Warlords of Han." both by Phil Nowlan. He fast-talked Nowlan into writing the new strip, got him together with an artist named Dick Calkins, and let him go. The strip that resulted ran for almost forty years in newspapers all over the world...

Author: By Garrett Epps, | Title: From the ShelfThe Collected Works Of Buck Rogers in the 25th Century | 2/7/1970 | See Source »

...Wild One" and "Swingin' School" were done by the same greasy artist. What was his name...

Author: By Bennett H. Beach and Bruce L. Regan, S | Title: A Wee Mo Weppa: The Crimson Oldies Quiz | 2/6/1970 | See Source »

...collective mythology, and that's a shame because he's really talented. His willingness to rework the old myths, admittedly in an exciting fashion, and his acceptance of the elegiac as the proper tone for treating America's Indian peoples are admissions not only of his limitation as an artist, but corporate liberalism's failure to reach its own fictions and remake the world. This should be, though it won't be, the last elegy for the American Indian; what we need now are films that remake both our images and theirs...

Author: By Joel Haycock, | Title: The Moviegoer Genesis I at 2 Divinity Avenue tonight and tomorrow | 2/4/1970 | See Source »

Cave of the Future. The Modern's rival-and less effective-display, called "Spaces," features five rooms each by a different artist. One, by Dan Flavin, is full of relentlessly glowing fluorescent lights; another, by Larry Bell, is totally dark except for several dimly reflecting glass tubes. Robert Morris created a kind of arctic hothouse, where tiny spruces set in an earth bank simulate an upland for est. Most interesting is the space designed by Franz Erhard Walther, where anybody who comes along is invited to climb into, sit on or play with various canvas objects. This goes...

Author: /time Magazine | Title: Art: Time for Spaces | 2/2/1970 | See Source »

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