Word: artists
(lookup in dictionary)
(lookup stats)
Dates: during 1970-1979
Sort By: most recent first
(reverse)
George Carlin is an American artist trying hard to keep growing. Eternity came breathing down his back four months ago in the form of a heart attack. Now, after three nights of sold-out adulation and guffaw at Long Island's Westbury Music Fair, he leans forward from his French Colonial chair in Manhattan's chic Pierre Hotel--he is surrounded by the stuff of decadence--and talks in his familiar streetguy talk, as he must have talked to the neighborhood kids in White Harlem 25 years ago, airing not so much as a hint of malcontent or overindulgence...
...this point in his life, Carlin must face the problem of growth. For an artist to continue art, he must develop ceaselessly and elude decadence. But as he gets older and most of his self expression becomes already expressed, Carlin's importance as a teller of irony pales. He kicks inadvertantly at the posh golden carpeting under his feet at the Pierre...
...much for the critics who say Carlin's comedy is kid stuff. Despite living in the luminous shadow of Lenny Bruce, pioneer of modern irony and consciousness, Carlin has steadily dug out his niche as a performing artist...
Pinco was not the only animal at the '78 Biennale. The place was a barnyard, rich with the odors of dung and urine-soaked straw. The Israeli pavilion was converted into a fold, with 17 ewes and one ram, their backs smeared with blue by the artist, Menashe Kadishman, a former kibbutz shepherd. The azure blots, "drifting apart or coming together according to the sheeps' movement," make up a painting, so the catalogue declared. One conceptual artist, Jannis Kounellis, exhibited a macaw on a perch-an old work, possibly touched up with a new macaw. Another, Vettor Pisani...
...other main approach to "nature" -landscape painting being hopelessly old hat-was via anthropology: artists playing Robinson Crusoe or Man Friday under an umbrella of structuralist jargon. Here, the palm for silliness must go to a Dutchman named Krijn Geizen, who built a reed hut and set a tuna to smoke on a rack outside it. This piece of mock primitivism was intended to say something about survival, in homage to the fishermen of the Po delta; but since the tuna was not caught by the artist but bought in the Venice fishmarket, the project looked vicarious, like Marie Antoinette...