Word: artists
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Dates: during 1970-1979
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...seven years later he was able to buy the house and start acquiring parcels of land along the junction of the Ru and the Epte, two tributaries of the nearby Seine. By 1926, when Monet-old, nearly blind, and as close to being a national hero as any French artist has ever been in his own lifetime-eventually died, the garden had become one of the most complete environmental expressions of a man's taste ever to be constructed. Monet created his own motif in order to paint it in tranquillity, and the paintings were art about art-self...
...discontinuous nature of reality: by the fact that, as a Greek sophist put it, you cannot step into the same river once, for it changes as the foot enters. Monet's Giverny paintings make up the most sustained and intelligent meditation on transience by a great artist since-what? Leonardo's water drawings? Probably, for although Monet's fellow impressionists also predicated their images on the moment, none of them was able to go so far in the direction of displaying reality as a collection of tiny, discrete stillnesses. Monet constructed a unified light, meaning and mood...
...more often a brutal slam in the ribs), are just like the famous people we are always reading about in the press. Whereupon they offer some Psych. 101 explanation for their characters' behavior and go off thinking that with this primitive bit of mimesis they have completed the artist's job. Of course, they have scarcely begun...
...last month at her Kennedy Center debut in Baryshnikov's version of Don Quixote. Very close. As Kitri, the spitfire Spanish girl who defies her innkeeper father and marries Basil, the barber of her choice, Gelsey has the kind of high-stepping, scenery-chewing part that can hurl an artist into stardom. Don Q offers some of the great bravura set pieces in the classical repertory, and Baryshnikov has seen to it that the routines spill into each other and positively spatter on the stage, threatening to engulf the aisles and even (somebody call the cops!) the streets outside...
...artist like a bear on a unicycle? John Irving does not have an answer; he does not even ask the question. Yet a bear does pedal through his fourth novel, in a haunting story caged within the main narrative. Since Irving's first novel was called Setting Free the Bears, the ursine connection is not inappropriate. Bears, like artists, can elicit both fascination and fear. Both can be primitive, matted, smelly and wild, and both can learn tricks, be domesticated, cleaned up and made cuddly...