Word: artists
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Dates: during 1970-1979
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...shares of the former Budget Director's stock in the National Bank of Georgia. The $2.4 million deal should leave a fat profit (a third of a million or so) in Lance's stocking. Then there was a gift from Wife LaBelle: a family portrait by Atlanta Artist Comer Jennings. LaBelle especially liked how Jennings painted her diamond pendant-the "broken heart," as she calls it, that Bert gave her after he resigned...
...Evangelical movement is a quest for traditional faith and values, and so for our cover the editors decided on an American primitive painting, Christ's Sermon on the Mount, by an artist known only as Plattenberger. Painted in the mid-19th century, the picture now hangs in the family room of a Woodbury, Conn., doctor. It was placed there, says the owner, so that the children of the household could see Christ's admonishing gesture, and behave...
Poet, demon, prophet, artist-all the labels apply, but none will adhere to William Blake (1757-1827). The wild-eyed precursor of romanticism disdained organized religion and mocked rigid science. He was his own martyr, church and congregation, his own teacher, pupil and school. Blake's art and poetry only seem naive; in fact they are so dense with nuance and implication that each generation must interpret them anew. The modern reader can have no better introduction to the oeuvre than Milton Klonsky's William Blake: The Seer and His Visions (Harmony Books; 142 pages; $12 hardcover...
Gentleman and scholar, diplomat and master painter, Peter Paul Rubens was that rare artist, at home with himself and his society. His orchestrations of the Christian, the mythic and the historical have endured as voluptuous celebrations of human passion and faith. Marking the 400th anniversary of his birth, Rubens by Frans Baudouin (Abrams; 405 pages; $60) pays rich tribute to the Flemish master with a gallery of 278 illustrations and a meticulous text tracing his stylistic development and the temper of his times...
...Playful physics" was the way René Magritte somewhat disdainfully characterized the trompe 1'oeil style of painting. But the term could apply to his own oblique surrealism. Rings plunging through pianos, airborne castles, flaming keys and animated bottles are all part of the artist's whimsical, gravity-free universe. Magritte: Ideas and Images by Harry Torczyner (Abrams; 277 pages; $45) provides an opulent but ambiguous visual festival. The artist, half magician, half charlatan, paints with paperback Freud insights and melodramatic compositions so calculating that he sometimes makes Norman Rockwell appear primitive. Yet in the midst...