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Word: artists (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...happens to the best, but that's never a consolation. In this case the frustrated artist is Dusan Makavejev and the script is one of a number of movie plans and dreams he is holding in limbo as he takes a one year leave of absence from film directing to try his patience with academia...

Author: By Talli S. Nauman, | Title: Dusan Makavejev: A Film-maker Teaches Film | 11/14/1977 | See Source »

...life as a professor seems to be just another combination of contradictions. This time the conflict is between his desires to be a highly individualistic artist and the University's ordering, structuring influence...

Author: By Talli S. Nauman, | Title: Dusan Makavejev: A Film-maker Teaches Film | 11/14/1977 | See Source »

...rebirth of Homo habilis was not easy. Fischer asked Hollywood Makeup Artist Bob O'Bradovich, whose credits include work for Beatlemania and the Hallmark Hall of Fame, to prepare a mask of Homo habilis from Leakey's sketches. A rubber model was made in New York, which Fischer and O'Bradovich then took to Leakey in Nairobi...

Author: /time Magazine | Title: A Letter From The Publisher, Nov. 7, 1977 | 11/7/1977 | See Source »

...befuddled by every kind of "-ism" from Fauvism to Cubism to Dadaism, and with new fashions developing in geometric progression, it is graced by a label which, while evoking instant recognition (everyone's aunt gushes over "the lovely Impressionist paintings"), does not really set any limits on an artist's self-expression. Impressions pure and simple. Few painters escape the biggest pitfall along this path--a surrendering to the superficial image, a revelling in aesthetics and the senses as a compensation for one's alienation from modern life, what Walter Pater called a "quickened multiplied consciousness"--yet Malet seems...

Author: By Diana R. Laing, | Title: After First Impressions... | 11/3/1977 | See Source »

...first sight, "A Wedding in the Family" looks like "Oh God, another film about the family." It gives Boston film-maker Debra Franco a crack at every visual artist's secret desire--taking classic wedding pictures--and it forces an objective look at the American family. This one eventually pulls through as a questioning of traditional values: Are women accepted as mature human beings if they remain unmarried? Is the security of marriage worth the sacrifice of career and individuality? Franco asks the questions and doesn't fall into the pea soup of trying to answer them...

Author: By Talli S. Nauman, | Title: Women, Weddings and War Canoes | 11/3/1977 | See Source »

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