Word: artists
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Dates: during 1970-1979
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Sotheby Parke Bernet's 4290 was a landmark sale: the prices realized at the auction will serve as reference points for years to come. Thus in the hierarchy of cash a relatively obscure artist by world standards ranks, for now at least, above any Dutch old master, any English painter, any French impressionist, any American abstract expressionist, any sculptor...
...case, whom does the art boom benefit? Only collectors and middlemen. Few artists get to share in it. This is partly because boom conditions create an unreal system of reputation, with most of the benefits going to a handful of stars at the top and scarcely anything to the rest. The American art education system, churning out as many graduate artists every five years as there were people in late 15th century Florence, has in effect created an unemployable art proletariat whose work society cannot "profitably" absorb. Generous tax laws, which enabled collectors to buy low, keep a picture...
...artist of stronger social engagement than most of the abstract expressionists, Smith tried his hand at political propaganda with a set of Medals for Dishonor inspired by the Spanish Civil War, later with a number of drawings that tried, in effect, to do a Bruegel on fascism. These desolate landscapes, populated by knotty women copulating with cannon, are postsurrealist cliches-although they make clear Smith's erotic feelings about steel. Even so, they are full of the harsh, graphic intensity that would soon burst forth in his sculpture...
...Heather. I think it is beginning to snow again. My God, there must be eight feet out there now, Heather. I don't know what to do." After only a few hours of showing, the Chicago Council on Fine Arts had the exhibit covered up and charged the artist with "character assassination." The matter wound up in court. The result: Art 1, City Hall 0. Sefick, who is now preparing The Bilandics for exhibit, is still mystified by all the excitement. "I just meant it to be funny," he says...
...Irish fiddle reel and the memorable lyric refrain, "Don't cry/ Don't raise your eye/ It's only teen-age wasteland"; the aching, almost elegant poignancy of The Song Is Over and Pure and Easy. All these songs concerned music and the compact of trust between audience and artist. As compositions they enhanced and extended the possibilities of rock. As Townshend wrote those songs, and The Who performed them, the truth of Townshend's contention became clear: "Rock has no limits." All that, and they can be danced...