Word: artists
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Dates: during 1980-1989
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Instead one thinks of an institutionalized, not to say industrialized, sweetness: the Chagall of the blue, boneless angels, the muralist of Lincoln Center and the fresco painter of the Paris Opera, the stained-glass artist who flooded interiors from the U.N. headquarters in New York City to Reims Cathedral in France to the Hadassah-Hebrew University Medical Center in Jerusalem with the soothing light of benign sentiment. His quasi-religious imagery, modular and diffuse at the same time, would serve (with adjustments: drop the flying cow, put in a menorah) to commemorate nearly anything, from the Holocaust to the self...
...seen by an immense constituency of collectors and museumgoers as the quintessential Jewish artist of the 20th century, even though he was not Orthodox and professed, if anything, a discreet and nonmilitant atheism. He had a lyric, flyaway, enraptured imagination, allied to an enviable fluency of hand; the former could weaken into marzipan poignancy, the latter into routine charm. He left behind him an oeuvre of paintings, drawings, prints, book illustrations, private and public art of every kind, rivaling Picasso's in size, if not always in variety or intensity. The number of novice collectors who cut their milk teeth...
...Bliss was it in that dawn to be alive"--especially for a young artist, eager to absorb what this supreme moment of untainted modernism offered. In cubism, he felt, the subject was "killed, cut to pieces and its form and surface disguised." Chagall did not want to go so far, but the flattening, reflection and rotation of cubist form gave his early paintings their special radiance and precision. In Paris Through the Window, 1913, we enter a rainbow world, all prismatic light and jingling crystalline triangles. It is full of emblems of stringent modernity: the Eiffel Tower, a parachutist...
...side effects of the cultural glasnost now under way between the U.S. and the U.S.S.R. is the realization that Soviet musicians are not all ten feet tall. Exposed to only the best performers and the beneficiaries of some spectacular defections, many Americans had come to believe that the Soviet artist was superior to his Western counterpart. Since the latest round of emigration and exchange, epitomized by Vladimir Horowitz's triumphant return to his homeland two years ago, the inordinate fear of Communist musical supremacy has waned as familiarity has grown and widened. Ten feet tall? Five foot eight...
...political solidarity that usually comes as a big surprise to the Western wearer. "It's just an accessory," says Kenneth Kaiser, a Boston retail- clothing-store manager. "The ethnic type of look is in right now." "The idea that it's political is ridiculous," says New York City Artist Steven Charny. Comments Mordechai Levy, head of the Jewish Defense Organization in New York City: "Now there are so many, they are just like any other scarf...