Word: artists
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Dates: during 1980-1989
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...exactly, though the distinction eludes Wired. Professionally, Belushi was a gifted TV sketch artist who found the wide-screen format confining. Personally, he was a middle-class white kid with an anarchic urge to play the cool black jazzman -- so he partied and bullied and ODed just like his heroes. Early death was only the last piece of the legend this blues brother created for himself. In the film's one good laugh, a physician elicits Belushi's pharmaceutical history and then asks, deadpan, "Next of kin?" Belushi was delivered to his humongous family of fans, who mourned a talent...
BENJAMIN WEST: AMERICAN PAINTER AT THE ENGLISH COURT, Baltimore Museum of Art. Period pieces today, these 52 canvases show what made "the American Raphael" (1738-1820) the toast of London and the first American artist to achieve international renown. Through...
...painting being so much more than its subject, you can't pin down an artist by naming his favorite motif. From Mondrian and the Russian constructivists on, many an abstract artist has gone for the stripe in all its apparent simplicity -- the line that baldly, mysteriously becomes a form in itself. Yet their paintings are not like one another's: there is no confusing the precise black vibration of a Bridget Riley with the effect of one of Barnett Newman's "zips" or the slightly blurred, funereal pinstriping of an early Frank Stella. Today the stripe continues to linger...
FRUEHAUF. The company's troubles began after takeover artist Asher Edelman launched a $1 billion hostile bid. Following the advice of Merrill Lynch, Fruehauf acquired Edelman's 10% stake at a profit to the raider of $120 million. Some 70 Fruehauf executives then joined forces in a leveraged buyout. But when the trailer division slumped in 1987 as cost-conscious truckers cut back on new orders, Fruehauf had to strain to meet interest payments, which had climbed to $101 million a year. As other divisions faltered, Fruehauf embarked on desperate cost-cutting moves and fire sales that have hollowed...
Still, the productions were mostly brief and small-scale, the livelihood far from lavish. "The least hint of the starving-artist routine," he recalls, "did not behoove my immigrant legacy of belief in education and upward mobility." In 1983, when he was 26, Hwang suffered the sort of crisis of conscience that comes to many people whose success was quick and easy. "I lost belief in my subject matter -- I dismissed it as 'Orientalia for the intelligentsia' -- and virtually stopped writing for two years. I thought seriously about going to law school." After the anxiety passed, Hwang tried to broaden...