Word: artists
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Dates: during 1990-1999
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...difficult choice to use Heusch's prints seems the appropriate one. Heusch's prints guess at the artist's intentions as minimally as possible; one can assume that the integrity of his intentions are not disturbed...
...piquing the viewer's curiosity. Mixco's piece was further enhanced by the fact that it was sitting on an easel in a corner of the exhibit and therefore had a private space of its own. Because of the easel, the painting seemed still very much attached to the artist, adding to the closeness already felt between artist and viewer...
...historians Volker Kamen and Georg Heusch in 1976. These contemporary prints replicate the state of the original negatives: minor scratches and imperfections are seen on the surface of most of the prints. The contemporary prints are framed by the black lines of the negative holder, reminding us that the artist, who would have had the freedom to enlarge or crop, had no hand in their production...
...difficult choice to use Heusch's prints seem the appropriate one. Heusch's prints guess at the artist's intentions as minimally as possible; one can assume that the integrity of his intentions are not disturbed...
...historians Volker Kamen and Georg Heusch in 1976. These contemporary prints replicate the state of the original negatives: minor scratches and imperfections are seen on the surface of most of the prints. The contemporary prints are framed by the black lines of the negative holder, reminding us that the artist, who would have had the freedom to enlarge or crop, had no hand in their production...