Word: artists
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Dates: during 2000-2009
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...that make the majority of their income from “touring and publishing,” as Congeleton says, free music is ironically the best way to make money. If someone who hears free songs buys a $20 concert ticket because the downloads were appealing, then the artist only stands to benefit from having their music readily available...
Tony Conrad ’60 is an acclaimed and multitalented filmmaker, composer, and conceptual artist. Last weekend, the Harvard Film Archive (HFA) welcomed Conrad in person to screen a selection of his films, and his eclecticism was readily apparent. His unconventional and experimental approach to filmmaking—which includes literally cooking film to yield different visual effects—has led to a long and varied artistic career. On Saturday April 5, he screened his seminal work “The Flicker” (1965), a black-and-white avant-garde piece. On Sunday, he opted...
...versatile writer opened with reflections on the role of the artist in creating history...
...Fiction that is true is the only type that anyone should read or write,” Kushner said, referencing Melville among others. “But all telling of the truth for the historian and the artist is very, very hard...It is a voyage, not an arrival, with shipwreck virtually guaranteed...
...bottom / She like Hillary Rodham.” No one expects Lil’ Wayne to be a traditional lyricist, but there’s no excuse for such an abomination of a song, especially when he borrowed its core concept from another artist. However, I’m pretty sure that “The Best Rapper Alive” won’t make this drop in quality a permanent thing. Let’s just hope that when the lollipops are gone, Lil’ Wayne will stop sucking. —Jeff W. Feldman