Word: artists
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Dates: during 2000-2009
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Rose B. Styron—a poet, journalist, and activist who will be a resident fellow—said she was both excited and nervous to be the first poet fellow. Her study group will focus on the interaction of the artist with the political sphere...
...bunny ears is that Playboy's Super Bowl party has been canceled. The gala was widely regarded as football's equivalent of the Vanity Fair Oscar party. Last year's bash - for which tickets cost somewhere in the neighborhood of $2,000 - was hosted by Grammy-winning hip-hop artist Common and featured a drop-in by Hugh Marston Hefner himself, along with his three obliging companions from E!'s The Girls Next Door and a herd of other Playmates. For those who preferred women with fewer opinions, there was a life-size Femlin model (note to Hef novitiates: Femlins...
...thing was, though: everyone else loved him. Wyeth was the first artist to receive the Presidential Medal of Freedom in 1963, and the farmhouse depicted in his most famous single work, “Christina’s World,” is the only building to make the National Register of Historic Places for being the subject of a painting. No one less infamous than Richard Nixon, toasting Wyeth at the White House, said that his paintings “captured the heart of America...
...after World War II that would be his trademark for the rest of his career. His landscapes are more astringent and cooler. His portraits too. The people in those portraits are known to him. Most of them are family, like his son Jamie, who also became an artist, or neighbors like Karl and Anna Kuerner, a German-American couple he painted many times in Chadds Ford, and Christina Olson, the crippled woman in Christina's World whom he knew from around his summer home in Cushing, Maine. But though these people are his familiars, they look to us enclosed, subdued...
...Museum; New Britain (Conn.) Museum of American Art; Wadsworth Atheneum in Hartford, Conn.; and Currier Gallery of Art in Manchester, N.H. * Drybrush, used by Wyeth's mentor of the miniature, Albrecht Dürer, as early as 1450, is more like drawing than watercoloring in technique. The artist works over still wet washes of water-soluble pigment with a brush dipped in concentrated color and squeezed almost dry. The stiff bristles, flattened and frayed looking, add textures of weight and depth. "I use it for the grass on a hill, for example, or the bark of a tree," says...