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...best, one might appreciate the film’s aesthetics, while never fully grasping the artist’s intentions. However, this past weekend at the Harvard Film Archive, avant-garde cinema pioneer Ken Jacobs screened film after film, answering questions to help clarify his artistic objectives. The evening was an unexpected trip into the visionary brilliance, or insanity, of Jacobs.Jacobs, who has paved the way for avant-garde cinema since the early 1950s, backs up an abstract way of thinking with knowledge of and experience with the mediums of film, digital video, and even 3-D. His groundbreaking...

Author: By Noël D. Barlow, CRIMSON STAFF WRITER | Title: Jacobs Transcends 2-D | 2/12/2009 | See Source »

...before it’s shut beneath the gray exterior of a Soviet sarcophagus. The remaining three narrators are peripheral characters in Vargalas’ life—Martinas, a pontificating computer(less) programmer, Stefanija, a jealous and infertile seductress, and Gediminias, a brilliant mathematician turned jazz artist. There is no dialogue among these characters, only isolated observations. This completes the author’s metaphor of a poker game in which “everyone hides his cards, raises and raises the bet, grimaces and makes faces, hoping to deceive the others, but no one ever finds out what...

Author: By Erin F. Riley, CRIMSON STAFF WRITER | Title: Madness and Civilization Converge in 'Vilnius' | 2/12/2009 | See Source »

Andre the Giant, Barack Obama, Andy Warhol, Flavor Flav, Noam Chomsky, and the dollar bill have one thing in common: at different points in time they have all been made into a Shepard Fairey image. A street artist whose mixture of black, red, white, and, most recently, blue in stylized swaths makes his images instantly recognizable to the initiated, Fairey has peppered the walls of buildings, electrical boxes, and street signs for the past 20 years with stickers and posters. The text accompanying the images dares the observer to “obey,” seeking to prompt passersby...

Author: By Anna K. Barnet and Joshua J. Kearney, CRIMSON STAFF WRITERS | Title: Shepard Fairey and the Obedience Paradox | 2/12/2009 | See Source »

...works arrived in the Square in conjunction with the street artist’s first solo show, “Shepard Fairey: Supply and Demand,” at the Institute of Contemporary Art in Boston, the first solo show of any street artist in a U.S. museum...

Author: By Anna K. Barnet and Joshua J. Kearney, CRIMSON STAFF WRITERS | Title: Shepard Fairey and the Obedience Paradox | 2/12/2009 | See Source »

...more refined depth,” these brushstrokes and drips that Fairey says he adds to prints intended for sale in galleries, are the result of a freedom from the time constraints of the street, where Fairey runs the risk of arrest if he dallies too long. The artist has been arrested 15 times, most recently right as he was about to enter the ICA last Friday on his way to DJ part of their Experiment series. The outstanding warrants for vandalism on which he was arrested and his constant drive to bomb cities he visits have helped to maintain...

Author: By Anna K. Barnet and Joshua J. Kearney, CRIMSON STAFF WRITERS | Title: Shepard Fairey and the Obedience Paradox | 2/12/2009 | See Source »

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