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Read "Banksy: An Artist Unmasked...

Author: /time Magazine | Title: Banksy Unmasked? A Graffiti Mystery | 11/2/2007 | See Source »

...back to 1890, including the 1940 strip How Superman Would End the War. "I'd like to land a strictly non-Aryan sock on your jaw," grumbles the Man of Steel as he drags Adolf Hitler off to be tried for crimes against humanity. For the late comic-book artist Will Eisner, the Jewish people, faced with the rise of fascism, "needed a hero who could protect us against an almost invincible force." Jerry Siegel and Joe Shuster's Superman in 1938 was only the first and - like Bob Kane's Batman in 1939, Jack Kirby's Captain America...

Author: /time Magazine | Title: In Search of Superman's Inner Jew | 11/2/2007 | See Source »

While Marshall was shooting the third Bourne film, Kennedy was putting together Diving Bell, directed by the artist Julian Schnabel and adapted from a memoir by French journalist Jean-Dominique Bauby, who was almost completely paralyzed. Casting the behind-the-camera personalities on the film took some craftsmanship. Kennedy recruited Spielberg's director of photography to help Schnabel deliver a bold visual style, shooting as if the viewer were inside the paralyzed man's body. When the film's French production company balked at the price of an A-list cinematographer, Kennedy persuaded them to find the money elsewhere...

Author: /time Magazine | Title: Hollywood's Power Couple | 11/2/2007 | See Source »

CRUISE They want to do a sequel of Risky Business and Top Gun. We even talked about Rain Man. I think that now as a studio [head] and someone who has studied the business, there are times where--the studio would want to try to devalue the artist and communicate that to other people. But in business reality, that's not true, because I know firsthand in dealing with this that you have to recognize market value of artists...

Author: /time Magazine | Title: The Lions Roar | 11/2/2007 | See Source »

...Compagnie Française de l'Afrique Occidentale, a French trading company that once operated in Sierra Leone. Puryear connects the piece to ideas about cultural contact, about the French and Africans colliding in the place where history mingled them. I couldn't help thinking of Puryear himself, the artist venturing into the world in the mask we all wear sometimes and carrying his gifts and burdens before him. He might object. But as I said before, he's not a man to be understood too quickly. Not by us. Maybe not even by himself...

Author: /time Magazine | Title: The Man of Mysteries | 11/2/2007 | See Source »

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