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...theme for the seemingly random theatrical assault that follows, it a bit too, well, all-purpose. But it serves. The play was inspired by the paintings of Norman Rockwell and the work of the avant-garde installation artist Jason Rhoades, and it's a witty, sometimes mystifying, often riveting mishmash of classic Americana and anarchic performance art. It opens with a recording of Bing Crosby singing "Dear Hearts and Gentle People," then slides into a series of Rockwellian scenes: a Thanksgiving dinner; a high school couple on a first date, accompanied by a recorded 1950s lesson in dating etiquette...

Author: /time Magazine | Title: Louisville: Where New Plays Go to Be Born | 4/10/2009 | See Source »

...savvy players will reap rewards. But executives are demonstrating an unwillingness to retrench, and the report mounts a persuasive case for why that's a dangerous thing. Emerging from the tumult unscathed requires a clear-eyed look at the recession's bleak realities-and the talents of a turnaround artist. "The global economic landscape will be changed for at least a generation," the authors write. "Preparing for that eventuality now is essential." Perhaps because they have more to lose from not doing so, the cream of the crop has been better able to cope. Fifty-five percent of market leaders...

Author: /time Magazine | Title: Downplaying the Financial Crisis | 4/10/2009 | See Source »

...tired. For example, in “The Little Clock Spirit and the Lovers,” a couple is disturbed by the thought that time is passing, which is symbolized by—you’ll never guess—the ticking of a clock.For an idiosyncratic artist who created his own genre of art, Schwitters brought disappointingly little to the literary table with his fairy tales. Still, “Luck Hans” is not without its merits. Not surprisingly, the highlight of the book is visual rather than literary. Schwitters uses bizarre illustrative typography...

Author: By April B. Wang, CRIMSON STAFF WRITER | Title: Fairy Tales Horrify, Numb | 4/10/2009 | See Source »

...seemingly insane as Mike Tyson. James Toback ’66 is particularly attuned to this power. After Harvard, he went on to become a highly controversial Hollywood screenwriter and director, meeting Mike Tyson on the set of his 1985 film “The Pick Up Artist.” There they began the friendship that would finally yield Toback’s most recent film, “Tyson,” a documentary that peels away the seemingly infinite layers surrounding the legendary boxer, revealing an alarmingly human specimen coiled in its center. As in his fictional...

Author: By Mia P. Walker, CRIMSON STAFF WRITER | Title: Harvard Alum Packs a Punch with 'Tyson' | 4/10/2009 | See Source »

...Saturday, the Institute of Contemporary Art presented “Design as Social Agent,” a series of talks and discussions led by notable graphic designers that identified this profession as being at the crossroads of art, society, politics, and the law. Inspired by the work of artist Shepard Fairey—best known for his “Hope” poster featuring President Obama—the day-long lecture series provided historical, theoretical, and practical insights into the relationship between design and society. The lectures ranged in subject matter, from the ways in which...

Author: By Keshava D. Guha, CONTRIBUTING WRITER | Title: ICA Talk on Social Agency and Design | 4/10/2009 | See Source »

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