Word: artless
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Samantha Hughes (Emily Lloyd) of In Country, an adaptation of the novel by Bobbie Ann Mason, is a direct, even artless, projection of this healing spirit. There is nothing metaphoric about the empty space left in her life by the war; her father was killed in Viet Nam before she could know him. Her mother having remarried and moved away, Samantha has chosen to stay behind and share the tumbledown family home in Hopewell, Ky., with her uncle Emmett (Bruce Willis), a veteran damaged by the war in some way he refuses to name. Now in the summer after...
...first single woman is the Soviet moviemaker of yesterday, whose failed struggle made the new freedom possible. Her neighbor is today's film artist, whose pictures are as artless as a cry for help and as urgent as the dream of a better future. It would be nice if the U.S.S.R. could produce a few masterpieces, as it did 60 years ago. But happy endings are, after all, the stuff of movies, not moviemaking. And what Soviet filmmaker would dare hope for more than a resolute beginning...
...place where we wish we were, where we are at our best: generous, fertile, humble and at peace. For some the vision may be exquisitely formal, a garden of thought and geometry, traced with tulips and a perfectly taut hedge. For others it is wild and artless, with shaggy trees and hiding places and children splashing in clover. Even if we have never been there, we know what it looks like...
Huston has precisely duplicated onscreen both the simple two-part structure of Joyce's story and much of its dialogue. The old Hollywood adventurer's mood and motives do not compromise Joyce's vision; they tactfully illuminate it. Indeed, Huston's handling of this material is so direct, artless and unassertive that one's first enthusiasm for it is tempered by doubt. Perhaps our desire that his last movie represent the best of his several selves is coloring our reaction. Mistrust, however, must yield to Huston's trust of his medium, his material and himself...
...years at home with her father, nine more in the Carmelite cloister at Lisieux, France. She worked no eye-catching miracles, made no famous converts, succumbed to tuberculosis like many others of her time. Yet within 28 years of her death, Pope Pius XI had canonized Therese, and her artless autobiography, The Story of a Soul, had blossomed into one of the world's best-selling books...