Word: artos
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Dates: during 1946-1946
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Behind my dissatisfaction with the performances lies an acquaintance with other recorded interpretations, and a knowledge of the scores. In the Bach works, the recordings of Adolf Busch have been generally accepted in definitive. When he Busch interpretation is supported by the Pro Arto performance of the Brandenburg, and the Paris Conservatory's tradition on the Suite, there are reasonable grounds to suspect any great departure from them...
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