Word: arts
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Dates: during 1990-1999
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...that exists." His faith in this divine harmony was what caused him to reject the view that the universe is subject to randomness and uncertainty. "The Lord God is subtle, but malicious he is not." Searching for God's design, he said, was "the source of all true art and science." Although this quest may be a cause for humility, it is also what gives meaning and dignity to our lives...
...That his theory of relativity was readily mistranslated as a justification for relativism says more about the way the world was already tending than about Einstein. His stature gave an underpinning to ideas that had nothing to do with his science or personal inclinations. The entire thrust of modern art, whether it took the form of Expressionism, Cubism, Fauvism or fantasy, was a conscious effort to rejigger the shapes of observable reality in the same spirit of liberation and experimentation that Einstein brought to science...
...relativism--that is, the idea that moral and ethical truth exists in the point of view of the beholder--owed nothing to Einstein (who believed the opposite), except a generalized homage to revolutionary thought. Art's elimination of semblances to the physical world corresponded vaguely with Einstein's way of seeing time and space, but it really sprung from an atmosphere of change, in which Einstein was yoked with Freud, Marx, Picasso, Bergson, Wittgenstein, Joyce, Kafka, Duchamp, Kandinsky and anyone else with original and disruptive ideas and an aggressive sense of the new. By that tenuous connection did the discoverer...
However interesting this view made art, what it did for politics was pure destruction. Paul Johnson connects relativism to the extreme nationalism of 20th century political movements in his generally persuasive view of Modern Times. The relationship he cites is sometimes elliptical. What one can say is that the destruction of absolutes--monarchies no less than Newtonian physics--created a vacuum, and in certain key places that vacuum was filled by maniacs and murderers...
...This Person of the Year] showed that politics could be the art of the impossible; that force could speak softly and carry a small stick...