Word: arts
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Dates: during 1990-1999
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...sure mark of a good piece of art is that it tempts the viewer to touch it. Unfortunately, we usually only encounter art in museums and galleries, where the alarm goes off if you get too near (once, at an exhibition of Jacques Lipchitz sculptures, the frustration of this got the better of me and I had to plead for mercy with the guards.) Some art awakens entirely different desires, compelling the viewer instead to talk about it, to stare at it, to look away from it, to imitate it or to think about it. The work by Museum School...
...through Dec. 18 in the Adams House Art Space...
...Work of Art in the Age of Mechanical Reproduction, Walter Benjamin writes that the body of the filmed subject "loses its corporeality, it evaporates, it is deprived of reality, life, voice and the noises caused by his moving about, in order to be changed into a mute image, flickering an instant on the screen, then vanishing into silence. The projector will play with his shadow before the public." Shimon Attie's work, currently on view at the Institute of Contemporary Art in Boston, is premised on such shadowplay, but with profoundly moving results...
...through Jan. 16, 2000 at the Institute of Contemporary Art...
...which Bibi identifies herself. Bibi comes onto the stage dressed in rainbow colors; in contrast, the only colors that are allowed in China, according to Karen, are "gray, blue and green." This is part of the goal of director Due Quach '00 to present "true historical events in an art form...