Word: arts
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...traded her passion for physics for a new one. But this is hardly the case. While she admits “I was just never cut out to make it as a physicist,” Videt has found a unique way to combine her seemingly irreconcilable interests in art and science. In order to help her test the boundaries between theater and physics, Videt designed a special concentration. She—advised by professors in both the English and physics department—is thus able to explore her fascination with expressing intellectual ideas through artistic means...
...produced in Berlin the next year. “The play is about a mother and daughter on their wedding day, but it soon turns into a metaphysical poem.” Growing up near Cambridge, Pecci often saw theater performances at the American Repertory Theatre. The ART, he says, was “one of the reasons—if not ‘the’ reason—that I came to Harvard.” But when he arrived on campus, he found the school inhospitable to his love of theater...
...Tischfield ’09. “I get known as the pottery guy.” A Neurobiology concentrator in Leverett House, Tischfield is one of two winners of the Louise Donovan Award, which is presented to those who have been influential behind the scenes in the arts at Harvard College. Tischfield has produced the “Clay All Night” pottery event for the last three years, teaches four classes every year in the Ceramics Program’s satellite-studio in Quincy House, and frequently exhibits his own work on and off campus. David?...
...scroll feature, but it’s not going to help the words leap off the page. If anything, they just become flat and confined on the “no-glare” screen.The Kindle is part of a trend that has contributed to the decline of the art of paper over the last twenty years. With the development of the internet, newspapers and magazines have been left gasping on the deck of popular irrelevancy—even the New York Times, the Holiest of Dailies. Letter writing has gone the way of the radio. What was, until recently...
It’s easy to look at the empty Loeb Mainstage—a cavernous 556-seat theatre—and see only a bare, dark void. For set designer Grace C. Laubacher ’09, however, the theatre becomes a blank canvas, the medium for her art. From the skeletal, caged streets of London in “Sweeney Todd” to the scientific underworld of “The Space Between,” Laubacher has been set designer and technical director for more than 20 productions on campus.In recognition of her extensive work, Laubacher...