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Last Friday I attended a performance of my sister’s rock band at what I can only describe as an “alternative artspace?? in Venice Beach, Calif., where the walls in the lobby were covered exclusively with posters and paintings of Barack Obama. In a place like Venice Beach where hardly a car drives by that doesn’t have a Yes We Can bumper sticker, the Obama motif is nothing new, but these depictions of the President-elect had an unmistakable messianic quality to them...

Author: By Clay A. Dumas | Title: Messiah or Antichrist? | 1/20/2009 | See Source »

Since this year, the ArtSpace??a set of squash courts converted for gallery use nearly a decade ago—has received more requests for student-curated exhibitions than can be accommodated. According to Mergel, more than 15 exhibits were displayed in the space this year, including every week of the spring semester...

Author: By Kimberly A. Kicenuik, CRIMSON STAFF WRITER | Title: Whither the Gallery? | 4/30/2003 | See Source »

...United States to Israel each year in aid and cited statistics of human rights abuses that tax dollars allegedly support. And under a large sign reading “Fear is Love,” audience members saw video footage of the other room of the two-room ArtSpace??realizing all their movements were recorded as they moved among the works...

Author: By Sandra E. Pullman, CONTRIBUTING WRITER | Title: Homeland Insecurity Ignites Adams ArtSpace | 4/21/2003 | See Source »

...entering Adams ArtSpace??s “Beautiful Rebellion” exhibit, it’s easy to overlook the artistic value of the first piece—a protruding wall papered with skeletal structures of the pelvis that almost seems a part of the House’s typically alternative scenery. But a closer inspection of the wallpaper work reveals a concern with concealed desire and external influences on identity...

Author: By Sandra E. Pullman, CRIMSON STAFF WRITER | Title: Adams Exhibition Treats ‘Queer’ Art | 3/14/2003 | See Source »

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