Word: artur
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Dates: during 1950-1959
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...doesn't it happen more often? For roughly $200,000, the price of four half-hour variety shows, Impresario Sol Hurok put some of music's brightest stars into dazzling constellation. The camera let the viewer hover over the fingers of Guitarist Andres Segovia and Pianist Artur Rubinstein, linger in closeup on the intense face of Marian Anderson, share the lilt of Verdi's La Traviata with Victoria de los Angeles, stand amid the powerful climax of Mussorgsky's Boris Godunov, superbly acted and sung by Bulgaria's Boris Christoff. Festival showed, far more eloquently...
Producer's Showcase (Mon. 8 p.m., NBC). Sol Hurok's Festival of Music, with Artur Rubinstein, Marian Anderson, Andres Segovia, Richard Tucker, Narrator Jose Ferrer...
During the 1930s, most of the long-eared musical world was playing a waiting game. Famed Austrian Pianist Artur Schnabel was slowly recording his way through the Beethoven sonatas-Schnabel would no more hurry a recording session than he would a Beethoven tempo-and each new disk was an event. The whole series ranked as a masterpiece. Schnabel died in 1951, and his old 78 r.p.m. records soon became obsolete in the LP age. Last week Victor brought him back in his finest reincarnation, a package containing all 32 sonatas on 13 LPs, plus Schnabel's own meticulous edition...
...keep his guests in a free-spending mood, he fills the Casino theater with serious musicians (this week: Pianist Artur Rubinstein) and music-hall stars such as Charles Trenet and Jacqueline François, sets up an elaborate schedule of regattas, racing events and polo matches. To promote elegance, André refuses to allow even the biggest losers inside the Casino's Gilded Hall unless they are wearing evening clothes (black tie), once turned away heroic General Pierre Koenig. Explained an attendant: "Sorry, General, but orders are orders." Said sport-shirted Koenig: "Ah, yes. I understand orders...
...musical scene at an ideal time. The son of Russian-born professional singers, he studied at the Curtis Institute of Music in Philadelphia under Pianist Rudolf Serkin. The U.S. was then benefiting from the wartime influx of great European artists. Says Istomin: "Every time I heard men like Rubinstein. Artur Schnabel, Horowitz, or Bruno Walter. I felt as though artistically I had robbed the city bank of New York. We were a very lucky generation...