Word: artur
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...ARTUR RODZINSKI Rome...
...cannot drink a glass of beer without its dilution in Handel's Water Music," Author-Critic Jacques Barzun wrote recently, in describing the amazing musical saturation of the U.S. atmosphere. This week Piano Virtuoso Artur Rubinstein (see PEOPLE) enthusiastically echoes Barzun's point that "in spite of our perennial croaking about America's neglect of the arts, the country spends more money for music than the entire rest of the world." Since the hi-fi revolution, a growing slice of that money has been spent on records, which have created a magnificent "concert hall without walls...
Polish-born pianist Artur Rubinstein, 68, down south in Birmingham for a concert, looked back on decades of U.S. tours, hailed the cultural progress of the nation's hinterland, parts of which were once dismissed by H. L. Mencken as "the Sahara of the bozarts." Rubinstein sees the U.S. as a sprawling oasis: "In the past 25 years this country has made more advances than some places in Europe have made in 250 years. Small towns throughout America are more receptive to fine music than old cities in France like Lyon, Marseille and Bordeaux...
...compliments, the perquisite Cadillacs, the fawning headwaiters, the fluty dowagers, the company of fame. He is brash and often tactless. He suffers from what was once described as a pre-Copernican ego, i.e., seeing the whole world revolve around him. The condition was described by his onetime mentor, Conductor Artur Rodzinski, with an expressive Jewish word that means cheek, nerve, monumental gall. "He has hutzpa," says Rodzinski, and illustrates what he means with the story of how Bernstein, a mere 35, dared to conduct Beethoven's sacrosanct Ninth Symphony with the great Santa Cecilia chorus in Rome...
...doesn't it happen more often? For roughly $200,000, the price of four half-hour variety shows, Impresario Sol Hurok put some of music's brightest stars into dazzling constellation. The camera let the viewer hover over the fingers of Guitarist Andres Segovia and Pianist Artur Rubinstein, linger in closeup on the intense face of Marian Anderson, share the lilt of Verdi's La Traviata with Victoria de los Angeles, stand amid the powerful climax of Mussorgsky's Boris Godunov, superbly acted and sung by Bulgaria's Boris Christoff. Festival showed, far more eloquently...