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...Czarist days who winds up in Siberia. But the Kremlin had banned Lady Macbeth in 1937, and for that reason Nabokov ran into trouble with his project. Even though the opera was performed at the Metropolitan in 1935, there was no score available in the U.S. Nabokov cabled Artur Rodzinski, who had conducted the performances at the Met. Rodzinski replied that he had surrendered his copy long ago, after repeated requests from the Soviet embassy. Finally, Nabokov found a copy in Vienna. Now Paris will get to hear a concert excerpt played by the Berlin RIAS (American zone radio) orchestra...

Author: /time Magazine | Title: Music: Hail to Freedom | 5/5/1952 | See Source »

...York Philharmonic (Sun. 2:30 p.m., CBS). Soloist: Pianist Artur Rubinstein, playing Tchaikovsky's Piano Concerto...

Author: /time Magazine | Title: RADIO: Program Preview, Apr. 21, 1952 | 4/21/1952 | See Source »

Chopin: Nocturnes (Artur Rubinstein, pianist; Victor, 4 sides LP). Chopin has always been Rubinstein's dish; in this new recording of all 19 nocturnes, he performs memorably. Recording: excellent...

Author: /time Magazine | Title: Music: New Records, Nov. 19, 1951 | 11/19/1951 | See Source »

...Oregon-born brothers, Alex and David Tamkin, finished an operatic version in 1933. Met Conductor Artur Bodanzky saw it and liked it, but died before he could get it produced. Over the years, The Dybbuk inhabited several other composers, among them Hollywood's Dimitri Tiomkin. Two years ago, excerpts from the Tamkin work were presented in Portland, Ore. Last season the New York City Opera scheduled a production, but postponed it "for economy." Last week the Tamkin Dybbuk finally found fulfillment, and Manhattan's City Center Theater was packed for the world premi...

Author: /time Magazine | Title: Music: The Dybbuk | 10/15/1951 | See Source »

...Died. Artur Schnabel, 69, composer-pianist, best known for his performances of Beethoven (his favorite), Schubert and Mozart; of a heart ailment; in Axenstein, Switzerland. A boy prodigy in Austria, Schnabel took lessons for seven years, but always hated to practice. In 1921, at his first U.S. concert, he defied his managers, dismayed the audience and pleased the critics by playing two solid hours of Beethoven. In later years, Schnabel (who became a U.S. citizen during World War II) took more pride in his atonal Schoenbergian compositions than in his playing. A pun-making perfectionist, Schnabel refused to play encores...

Author: /time Magazine | Title: Milestones, Aug. 27, 1951 | 8/27/1951 | See Source »

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