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Beethoven: Concerto No. 1 in C for Piano and Orchestra (Ania Dorfmann and the NBC Symphony Orchestra, Arturo Toscanini conducting; Victor, 8 sides). Toscanini features a protege who is not quite up to it; Artur Schnabel's earlier version is better. Performance: fair...

Author: /time Magazine | Title: Music: The New Records | 4/15/1946 | See Source »

Rachmaninoff: Concerto No. 2 for Piano and Orchestra (Gyorgy Sandor and the New York Philharmonic-Symphony Orchestra, Artur Rodzinski conducting; Columbia, 8 sides). A workmanlike reading of a vapid but pleasant score. Performance: good...

Author: /time Magazine | Title: Music: The New Records | 4/15/1946 | See Source »

...Come Snobs." Polish Pianist Artur Rubinstein, visiting Rio, decided to trick her into playing again. He invited her to Rio's empty Municipal Opera House, asked her to play some chords so he might test the acoustics. She sat down at the piano at 2:30, played until 8. Said she: "It was a put-up job." She played three years in Latin America, earning enough to pay her way to the U.S., and the $1,400 that a Carnegie debut cost...

Author: /time Magazine | Title: Music: Touchdown | 4/8/1946 | See Source »

Since Danny Kaye's comic talent has begun to be taken seriously, he has been made the target of some surprising statements and offers. Pianist Artur Rubinstein said: "I feel most often about him what everyone else felt about Chaplin...

Author: /time Magazine | Title: Radio: Git Gat Gittle | 3/11/1946 | See Source »

Bizet: Symphony in C Major (Philharmonic Symphony Orchestra of New York, Artur Rodzinski conducting; Columbia, 7 sides). The composer of Carmen was 17 when he wrote his only symphony, and obviously a student of Mozart, Haydn, Beethoven and Rossini, all of whom have their innings in the score. Performance: fair...

Author: /time Magazine | Title: Music: New Records, Mar. 4, 1946 | 3/4/1946 | See Source »

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