Word: arture
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Dates: during 1970-1979
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...Legend. His full name was Solomon Isaievich Hurok. To his friends he was Sol. To the public, though, it was "S. Hurok Presents," an emblem that invariably appeared atop the newspaper ad, billboard poster or concert program. Beneath it ran names like Artur Rubinstein, Isaac Stern, Margot Fonteyn, the Royal Ballet, the Old Vic and, of course, the Russians he so ably promoted and profited by in the U.S.: Pavlova, Richter, Oistrakh, the Bolshoi Ballet and Opera...
...common disease of the cynic is Vicarious Vertigo-the dizzying belief that he can be someone else. Very well, then, let him be, say, Andre Watts or Artur Rubinstein. Every pianist is familiar with the tale of the Texan who asked an old man, "How do I get to Carnegie Hall?" and received the reply, "Practice! Practice!" Alas, repetition cannot guarantee a recital. But $2,000 can. For that amount, the cynic may rent the entire Carnegie Hall, with Steinway, to play Chopsticks all evening. After all, who's listening? The cynic can be Arthur Fiedler...
...finest concerto recordings-notably the Brahms with Hamilton Harty (1928), the Beethoven with Bruno Walter (1932), the Prokofiev First, Mozart Fourth and the Mendelssohn with Sir Thomas Beecham (1933-35) and, at long last on LP, the Beethoven Violin and Piano Sonatas Nos. 5 and 10 with Artur Schnabel (1948). Though the sound is monaural, it has been restored lovingly and retains much of the warmth that characterized the best of Europe's prewar 78-r.p.m. shellacs...
...more are handsomely recorded on this LP under the supervision of Korngold's producer son George. The record is also the only stereo document currently available of a composer who was one of Europe's most brilliant prodigies half a century ago. When Korngold was 13, Artur Schnabel was playing his piano sonata in Vienna and Berlin. Four years later Conductors Bruno Walter and Otto Klemperer were doing his orchestral works. In 1921, when Korngold was 24, his opera The Dead City was mounted at the Metropolitan Opera, and legendary Soprano Maria Jeritza made her debut...
Beethoven, The Five Cello and Piano Sonatas (Cellist Pierre Fournier, Pianist Artur Schnabel; Seraphim, 2 LPs, $5.96). Whether darkly probing his psyche or demonstrating sheer joy, Beethoven was a composer who believed that music should be dramatic and expressive. So, fortunately, do Fournier and Schnabel, in this historic collaboration dating from 1948, now issued in its entirety for the first time on an American LP. It is hereby recommended as an antidote for today's "cool" and bloodless school of Beethoven interpretation...