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...compressing much into little. They could almost be called transistorized sonatas. Op. 126 especially finds the composer speaking with harrowing intensity and sharp intent. Gould, technically brilliant as ever, not only gets the point but conveys the intensity. The most eloquent disc performances of these works since Artur Schnabel set the standard in the 1930s...

Author: /time Magazine | Title: Music: Classical Records: Pick of the Pack | 6/23/1975 | See Source »

Schubert: Trios, Op. 99 in B-Flat and 100 in E-Flat (Henryk Szeryng, violin; Pierre Fournier, cello; Artur Rubinstein, piano; RCA; 2 LPs; $16.98). Corraling a collection of virtuosos to record chamber music is not always a good idea. Having spent years alone in the spotlight, too many of them lack the knack of bobbing and weaving in rhythm with other minds and hearts. Szeryng, Fournier and Rubinstein rank high among the successful exceptions to this individualistic rule. In these trios, each player retains his own particular musical fist yet manages to fit it into his neighbor...

Author: /time Magazine | Title: Music: Classical Records: Pick of the Pack | 6/23/1975 | See Source »

Actually, by the time the Vienna-bred Korngold landed in Hollywood in 1934, he had behind him an astounding career as a musical Wunderkind in Europe. When he was a teenager, his works were performed by Pianist Artur Schnabel and Conductor Bruno Walter. In 1921, when Korngold was 24, his third opera, Die Tote Stadt (The Dead City), was staged at New York's Metropolitan Opera. In the leading role of Marietta was Soprano Maria Jeritza, making her Met debut. The American public took to Jeritza but not to Korngold, and after a few years it forgot...

Author: /time Magazine | Title: Music: Erich the Wunderkind | 4/14/1975 | See Source »

...viola virtuoso; in London. Born in 1876, on the same day as Cellist Pablo Casals, Tertis campaigned successfully to persuade composers to write solo pieces for his chosen instrument. For more than four decades Tertis was Europe's premier violist, playing with such friends as Casals and Pianist Artur Rubinstein, who joined him for a celebrated recital of Brahms' C Minor Piano Quartet during a London blackout in World War II. The Tertis viola, which he designed after his retirement, remains the choice of many leading concert performers...

Author: /time Magazine | Title: Milestones, Mar. 10, 1975 | 3/10/1975 | See Source »

...drug fiend, I'm not a drunkard, but I am the laziest man I ever met," joked Artur Rubinstein just a few days before he gave a marathon concert that included two piano concertos. On his 88th birthday, the last of the great romantics on or off the keyboard celebrated with his children and grandchildren and also gave an elfish performance for some 40 friends gathered to toast him in Manhattan. RCA presented him with a chocolate piano with 88 keys. Purring at the adulation, and twinkling much the way he must have in Paris when he was interrupted...

Author: /time Magazine | Title: People, Feb. 10, 1975 | 2/10/1975 | See Source »

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