Word: arturs
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...Australia on a tour and stayed there, giving concerts and perfecting, among other things, his high-elbow bowing technique. In 1941, he came to the U.S., got a job as concertmaster of the Cleveland Orchestra-and gave the Bartok concerto its U.S. premiere. When Cleveland's Conductor Artur Rodzinski took over the New York Philharmonic-Symphony in 1943, he asked Tossy to play it again. That was the beginning. His performance left the New York Herald Tribune's Virgil Thomson "a little gasping. One is not used to this kind of work from violinists...
Beethoven: Sonata No. 3, Op. 69 (Pierre Fournier, cello; Artur Schnabel, piano; Victor, 6 sides). French Cellist Fournier made a hit two seasons ago at the Edinburgh Festival with Pianist Schnabel, Violinist Joseph Szigeti, and Violist William Primrose (TIME, Sept. 22, 1947). Here, in his U.S. record debut with Schnabel (and Beethoven), he succeeds again. Recording: excellent...
...others (alphabetically): Wilhelm Backhaus, Vladimir Horowitz, Artur Rubinstein, Artur Schnabel...
...away again for a rest. And he had pulled out some new ones, like the Debussy, Rachmaninoff and Medtner works that had Manhattan concertgoers holding their breath last week. He had also found plenty of time to play chamber music with his good friend and neighbor, Artur Rubinstein, and with Vladimir Horowitz when he dropped in-not to mention an occasional jam session, with Heifetz rolling out such items as Gut-Bucket Gus and Jim Jives on the piano. As for his popular composing (When You Make Love to Me-TIME, Oct. 21, 1946), Heifetz grins: "I've divorced...
...Pianists Artur Rubinstein, Vladimir Horowitz and Alexander Brailowsky, Violinists Jascha Heifetz, Nathan Milstein and Isaac Stern, among others, fired off statements aimed at Chicago, warning that they would refuse to appear with the orchestra if Furtwangler conducted. Rubinstein summed it up: "Had Furtwangler been firm in his democratic convictions he would have left Germany . . . Mr. Furtwangler chose to stay and chose to perform, believing he would be on the side of the victors . . . Now he wants to earn American dollars and American prestige. He does not merit either...