Word: artworks
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...mother's dying in 1997--the genesis for this whole record [the critically acclaimed Last Man on Earth]--was maybe the most profound event of my life. For the artwork for this album cover, we at first were thinking of an image of a kid in a department store who had lost a parent--to get at this sense not just of overpowering sadness and depression I'd been feeling but also panic, a feeling of being totally lost. I didn't want to do anything. I didn't write songs, didn't even feel like playing. I'd been...
...Bloom” was prominently displayed on its own wall in the gallery, the wall was not quite clean and the ceiling was cut by track lighting. A fresh coat of paint on the walls and a covering on the ceiling would have dramatically improved all of the artwork. “Walls of Bloom” would have been more effective had the placement of the blossoms been arranged so you could not see your shoes reflecting in the mirrors. These details, while small, would have made a difference to this exhibit...
Sponsored by Harvard’s Office of the Arts (OFA), “Nest!” is a public artwork by eight of Boston’s Reclamation Artists who also collaborated with some burgeoning Harvard artists. Formed in 1990, the Reclamation Artists have made their mark on sites all over the greater Boston area, including Government Center Plaza, the east Boston waterfront and, of course, Harvard Square, where the most recent addition to their oeuvre is located. In addition to the sculpture, “Nest!” also features a live element, including performances...
...thinks of the Ivies when it comes to film…even at Brown, the film students generally go unrecognized.” In the Ivy League schools, the VES students often do not receive the respect they deserve from their peers. Producing a complex and interesting piece of artwork, such as a feature length, or even short, film, is an exceedingly difficult and time-consuming operation. VES classes can take up as much as eight hours a week of class time, which does not include the massive amount of time spent working outside of class on projects...
Gone too, naturally, is the remarkable artwork of Eddie Campbell. Campbell shares authorship with Moore for good reason. His scribbley, impressionist black and white pen work picks out just the details important to a scene. The rest seems shrouded in mist. After several hundred pages you feel closed in yourself. You can't read the book without at least one walk in the sunshine. The Hughes brothers have their own misty style, but have chosen to shoot in color. The look of the movie becomes its best asset, exploring the medium's unique possibilities of luminosity, movement and composition...