Search Details

Word: arutunian (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
Sort By: most recent first (reverse)


Usage:

David Hays has designed suitable movable additions to Rouben Ter-Arutunian's flexible basic stage, so that the swiftly changing geographical demands of the text do not inflict between-the-scenes waiting. Tharon Musser's lighting is admirable, particularly the moon-swept night lighting...

Author: By Caldwell Titcomb, | Title: Romeo and Juliet | 6/29/1959 | See Source »

...fast-moving and imaginative productions of Margaret Webster proved a stimulus and an eye-opener. And now our Stratford has a handsome, air-conditioned theatre which contains Rouben Ter-Arutunian's magnificent basic stage and a surrounding physical plant that can accommodate the demands of all Shakespeare's plays...

Author: NO WRITER ATTRIBUTED | Title: Stratford, Connecticut; the Future of American Shakespearean Productions | 9/24/1958 | See Source »

...fast-moving and imaginative productions of Margaret Webster proved a stimulus and an eye-opener. And now our Stratford has a handsome, air-conditioned theatre, which contains Rouben Ter-Arutunian's magnificent basic stage and a surrounding physical plant that can accommodate the demands of all Shakespeare's plays with amazing speed and versatility...

Author: By Caldwell Titcomb, | Title: Stratford, Conn. and the Future of American Shakespeare | 7/31/1958 | See Source »

...premise hold water, Playwright Krasna (Dear Ruth, John Loves Mary) gets his fun out of the way it leaks. The laughs come also because Peter Lind Hayes, Mary Healy, and most particularly Ray Walston make a nimble trio as the husband, the wife and the fixer; while Rouben Ter-Arutunian provides a sequence of ingenious sets...

Author: /time Magazine | Title: The Theater: New Play in Manhattan, Mar. 17, 1958 | 3/17/1958 | See Source »

Adapter William Nichols conceived of the TV version as fantasy-all a dream of Feste the clown-set in the rococo grandeur of an 18th century pleasure park. For scenery and costumes, Designer Rouben Ter-Arutunian borrowed brilliantly from the delicate woodland scenes of Watteau and Fragonard, gave the NBC color cameras an enchanting palette of shimmering pastels. Through a dream world as mannered as a minuet glided fauns, harlequins and unicorns, dwarf attendants and monkey footmen. Olivia (Frances Hyland) wooed the disguised Viola (radiantly played by Rosemary Harris) while floating in an elegant barge. When Malvolio (Maurice Evans) puffed...

Author: /time Magazine | Title: Television: Review | 12/30/1957 | See Source »

| 1 | 2 | 3 | 4 | 5 | Next