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...dated. But this year it has enjoyed two exceptional revivals, a PBS production starring James Whitmore and a staging by New Haven's Long Wharf Theater that opened on Broadway last week. Both demonstrate that it is a timeless story of self-delusion. The Broadway version, directed by Arvin Brown, evokes an America struggling to believe in itself. At center stage are an old hand, Richard Kiley, as the machine-shop boss, and a stunning newcomer, Jamey Sheridan, as the son who has always sort of known about, but never allowed himself to acknowledge, his father's crime. They share...

Author: /time Magazine | Title: Theater: Avenging Fury ALL MY SONS | 5/4/1987 | See Source »

Elisabeth Arvin...

Author: /time Magazine | Title: Letters: Oct. 12, 1981 | 10/12/1981 | See Source »

...Shrew), Chekhov (The Cherry Orchard) and Brecht-Weill (Happy End), as well as in works by Arthur Miller and Tennessee Williams. This repertory training came to Meryl because she was ready for it; her education went on in public, but critics and audiences did the learning. Director Arvin Brown expresses what threatens to become a bromide when he calls her "the most talented actress of her generation...

Author: /time Magazine | Title: Cinema: A Mother Finds Herself | 12/3/1979 | See Source »

...played in a program of two one-act plays and did the seemingly impossible: she became both a slovenly, bovine Southerner in Tennessee Williams' Twenty Seven Wagons Full of Cotton and a thin, sexy secretary in Arthur Miller's A Memory of Two Mondays. Says Director Arvin Brown: "The audience didn't realize that they had seen the same girl twice." These were the first of seven stage roles that Meryl was to play...

Author: /time Magazine | Title: Cinema: A Mother Finds Herself | 12/3/1979 | See Source »

...Arvin Brown's production takes its time, shuffling and limping through a theatrical desert. The flaccid blocking and extraordinarily ugly sets place the burden of interest on the two leads. Lois Nettleton gives a conventional performance as Thompson, but within the artificial confines of her role she suggests a human being surprisingly often, her voice choked with pain and confusion, then rising with conviction, bearing the weight of her husband's illness as the character and the actress plow on with the strength and courage of an old trooper...

Author: By David B. Edelstein, | Title: Strangely Bland | 2/12/1979 | See Source »

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