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...sometimes seems as if Arvin Brown, artistic director of New Haven's Long Wharf Theater, visits the London stage with a shopping list. And he never settles for shoddy goods. Among his finds have been The Changing Room by David Sto rey and The National Health by Peter Nichols. The link continues with Spokesong, a play of tipsy irony and fantastical humor set against the cruel fratricide of Northern Ireland...

Author: /time Magazine | Title: Theater: Wheelborne | 2/27/1978 | See Source »

...regional theater is able to. The Shadow Box was launched at Los Angeles' Mark Taper Forum and has found a second home in New Haven. The original director, Gordon Davidson, repeats that task at the Long Wharf Theater, over which Arvin Brown presides. Both these artistic directors are nurturing top regional theaters...

Author: /time Magazine | Title: The Theater: Life Is Terminal | 2/7/1977 | See Source »

...Arvin had lineage from a Harvard President reading in his favor, among outstanding character references. His application reveals a person of high motivation and incredible industriousness. His father died while he was in Junior High School, and he had to work hard to help support his family. He received no grades below an A, except for one B in Chemistry. His teachers and all those who met him were impressed with his achievements and said so emphatically...

Author: By Audrey H. Ingber and Mark J. Penn, S | Title: The Admissions Process: Target Figures, Profiles, Political Admits... | 4/24/1975 | See Source »

...admissions office conducted a follow up on "Arvin" to see what had happened to him after getting turned down. They found he had gone to a state university and was doing well. He managed to continue to be active in athletics and get good grades. They were happy with their decision, but it could've easily have gone the other...

Author: By Audrey H. Ingber and Mark J. Penn, S | Title: The Admissions Process: Target Figures, Profiles, Political Admits... | 4/24/1975 | See Source »

...equal to mine in a different direction." Says Geraldine Fitzgerald, whose appearance in Ah, Wilderness! is one of several she has made with the company: "He reminds me of Max Reinhardt, with whom I worked in Sons and Soldiers in 1943. For both of them, the theater is acting. Arvin never puts down actors or upstages them...

Author: /time Magazine | Title: The Theater: Sweet Dreams | 1/6/1975 | See Source »

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