Word: ascap
(lookup in dictionary)
(lookup stats)
Dates: during 1950-1959
Sort By: most recent first
(reverse)
...Court Jester (Dena; Paramount) features Danny Kaye, bedecked with ASCAP and belles, in a pleasantly goofy travesty of the olden daze into which Hollywood falls so often and so profitably. Danny is cast as a song-and-dance man at the court of a wicked king (Cecil Parker), but in reality Danny is nobody's fool. He is the secret agent of the Black Fox, a nobleman who hides in the forest like some robbing hood. With him hides the true king, still an infant, for whom the Black Fox plans to seize the power...
...LEVY (ASCAP member...
...Broadcast Music, Inc.) was born 14 years ago when radio broadcasters decided that the venerable ASCAP (for American Society of Composers, Authors and Publishers demanded too much in performance royalties. As a rival music-licensing agency. BMI had a scrawny infancy: almost all competent U.S. songwriters were members of ASCAP. For a while, until peace was patched up, the networks had to draw heavily on tunes in the public domain-and Stephen Foster's Jeanie with the Light Brown Hair became...
...years BMI has grown husky, with a big pool of music and composers to draw on. This week 33 ASCAP songwriters filed a civil suit against BMI, the networks and their related record companies, charging conspiracy and discrimination to keep non-BMI music from being heard as often as it should be. Among the 33: Ira (I Got Rhythm] Gershwin. Arthur (Dancing in the Dark] Schwartz, Dorothy (I Can't Give Yon Anything but Love) Fields. Gian-Carlo (The Consul) Menotti. They reckon that they and other non-BMI composers have collectively lost $50 million in royalties...
...disk jockeys. It was a world where she came to "own" only 75% of herself, with her managers and booking agents owning the other 25%. Above all, it was a world where the click or smash hit was the ultimate goal, where clearance (by payment to publishers' societies ASCAP and BMI) was necessary for permission to play a song on the air; a world where cut-ins (giving a performer a share of a song's profits), hot stoves (open bribes) and other forms of payola were standing operating procedure; a world of concern with P.D. (public domain...