Word: ascenseur
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...Ultimate. In L'Ascenseur pour I'Echafaud (U.S. title: Frantic], Malle put Moreau under an honest light and wisely let his camera linger. The film was nothing special, but it did accomplish one thing: it proposed a new ideal of cinematic realism, a new way to look at a woman. All the drama in the story was in Moreau's face-the face that had been hidden behind cosmetics and flattering lights in all her earlier films. When Malle made The Lovers the following year, it was obvious who his woman would be. For one thing...
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