Word: aschenbach
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Dates: during 1990-1999
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Director Richard Kwietniowski, adapting Gilbert Adair's novel, uses Priestley's fretful blankness to handsome comic effect. But Hurt is the big news here. Dignified and dithery, he makes Giles one of the most charming predators in ages. Like Von Aschenbach in Death in Venice, like Lolita's Humbert Humbert, he is a man of culture finding beauty in youth, in coarseness--in "all that I myself have never been." To Giles, ecstasy comes in small packages. For viewers, this film is one of them...