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...handsome second son of Sir Winston's cousin the tenth Duke of Marlborough; and Texas Debutante Gillian Spreckels Fuller, 18, daughter of Fort Worth Oilman Andrew Fuller, and great-granddaughter of California Sugar King John D. Spreckels; in London, one year after they met at the Ascot races...

Author: /time Magazine | Title: Milestones: Jul. 30, 1965 | 7/30/1965 | See Source »

...weeks ago, Adam got his chance for revenge. At England's 126-year-old Henley Royal Regatta, the Ascot of crew racing, Vesper knocked off Harvard, the best college crew in the U.S. In the finals, to determine the best crew in the world, it was Ratzeburg against Vesper. Ratzeburg led all the way, finished half a length ahead, set a new Henley record of 6 min. 16 sec. for the one-mile and 550-yd. course...

Author: /time Magazine | Title: Crew: Top Strokes | 7/16/1965 | See Source »

...SPORTS IN ACTION (NBC, 6:30-7:30 p.m.). Highlights of two British sporting events: the Ascot Gold Cup horse race and Wimbledon...

Author: /time Magazine | Title: Television: Jul. 2, 1965 | 7/2/1965 | See Source »

...Harrison, as a British Foreign Office nabob, goes out to buy a motorized bauble for his wife (Jeanne Moreau). "I don't much care for the shape of the decanter," Harrison purrs, eying the built-in bar accessories. He has the automobile delivered during a party on Ascot eve, and Veteran Director Anthony Asquith (The V.l.P.s) begins scratching through the smooth surfaces of leisure-class life with exquisite malice. At dinner, Moreau arranges a tryst with one of Harrison's subordinates (Edmund Purdom), masking her passion with some sprightly table talk about the anchovy sauce served on British...

Author: /time Magazine | Title: Cinema: Back-Seat Romance | 5/21/1965 | See Source »

Guided by Director George Cukor, who had played Pygmalion to many a Hollywood Galatea (Garbo in Camille, Ingrid Bergman in Gaslight), she exquisitely personifies "a squashed cabbage leaf" transformed into an English rose. Her comedy scenes are delectable, her charm ineluctable, and her first appearance among society folk at Ascot-in a gown created by Designer Cecil Beaton, whose art nouveau sets and costumes are a splendid show in themselves-is one of those great movie moments seldom accomplished without the help of brass bands and fireworks. And Hepburn tops that when she begins describing, in precise Mayfair accents...

Author: /time Magazine | Title: Cinema: Still the Fairest One of All | 10/30/1964 | See Source »

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