Word: ashantis
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Dates: during 2000-2009
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Agatha is Ashanti, a member of one of the region’s largest ethnic groups. She attended Asanteman Secondary School and lived in West Africa until matriculating at Harvard in the fall of 1977, according to the records...
...seems Soul Train isn't used to criticism. When the 32-year-old dance show was the subject of a Web petition protesting its choice of Ashanti as 2002 entertainer of the year, it railroaded the opposition. Rommel Zamora, 15, who gathered more than 25,000 electronic "signatures," was attacked on soultrain.com and, he claims, in an obscenity-laden e-mail from a show employee. Though the show's creator, Don Cornelius, told TIME he didn't authorize any such e-mail, he's still eager to bury Zamora: "It's a patriarchal syndrome when any 15-year-old nonblack...
This summer could be the single's swan song. Fewer than half of the Top 100 songs in the country are available for individual purchase. The great shame is that from Sheryl Crow to Ashanti to Toby Keith, the summer of 2002 has produced a bumper crop of wonderfully disposable, inexplicably indelible singles--none of which are available as singles. Only a few of these songs come from albums worth owning, so how you get your hands or modems on them is up to you. But every summer needs its singles, if for no other reason than to mark...
From a saturation standpoint, it's hard to get past Ashanti's Foolish. Foolish was the No. 1 song in the country for 11 weeks, mostly on the strength of a hook borrowed from the Notorious B.I.G.'s 1995 summer hit One More Chance. Ashanti is smart enough to let the hook do the bulk of the work while her smooth voice flutters around creating a sense of longing. In a thin field, it's summer's best tortured ballad. Without Me is another chapter in Eminem's romance with himself. While a woolly sax laughs in the background...
...short on charisma and long on cash and shallow dreams. Both also know how to throw a party, and We Invented the Remix is one extravagant hip-hop do. The guest list is perfectly balanced--Ghostface Killah and Black Rob growl for hard-core fans; Mary J. Blige and Ashanti sing soft hooks for the ladies--and shows off Diddy's ability to turn any source material into a danceable groove. He still can't help layering his own voice into tracks more than he should. The nouveau riche are very different from you and me. --By Josh Tyrangiel