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Word: ashcan (lookup in dictionary) (lookup stats)
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...year stay in Paris, where he had befriended the indispensable Gertrude Stein and her brother Leo, cocksure tastemakers and champions of Picasso. By that year Picasso and Braque were already off and running through the first stages of Cubism. Meanwhile, advanced American painting, such as it was, meant the Ashcan School realism of Robert Henri and John Sloan or the agreeable borrowings of Childe Hassam and Maurice Prendergast, who were still absorbing what they could from Postimpressionism. Even Cézanne had not entered much into American thinking, much less Cubism and its fierce extrapolations from Cézanne's faceted space...

Author: /time Magazine | Title: Picasso's Progeny | 10/9/2006 | See Source »

Bellows was a member of the Ashcan School in the early decades of the twentieth century. As the name of the school suggests, Bellows and his colleagues depicted the grit and filth of the city landscape, developing a new form of urban realism...

Author: By Jessica E. Gould, CONTRIBUTING WRITER | Title: George Bellows Exhibit at Fogg Brings Old Anti-War Message to Modern Audience | 2/28/2003 | See Source »

...hoopla. It touches upon all the major American movements of the 20th century and does it with balance and care and, in general, a keen eye for the best examples. If you want a short account of the turn-of-the-century New York realist group known as the Ashcan School (Robert Henri, John Sloan, George Bellows and others), the selection here could hardly be bettered...

Author: /time Magazine | Title: Art: A Nation's Self-Image | 5/10/1999 | See Source »

...life." This, one wants to say, is the artist of American democracy, yearningly faithful to its clamor, its contradictions, its hope and its enormous demotic freedom, all of which find shape in his work. Other American artists have had this ambition--one thinks of Robert Henri and the Ashcan painters at the turn of the century--but none fulfilled it so well...

Author: /time Magazine | Title: ART: ROBERT RAUSCHENBERG: THE GREAT PERMITTER | 10/27/1997 | See Source »

...Thomas Eakins stood nowhere near its present zenith, and there was something flashy and slightly suspicious about John Singer Sargent, the other main candidate. And Homer was not only big with the public; he exerted a huge influence on younger painters. Robert Henri and the other realists of the Ashcan School embraced him as a role model--the virile eye, always staring at reality over the pencil. "The big strong thing," said Henri, thinking of Homer's seascapes, "can only be the result of big strong seeing...

Author: /time Magazine | Title: ART: WINSLOW HOMER: AMERICA'S SUPREME REALIST | 6/24/1996 | See Source »

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