Word: ashcan
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Dates: during 1960-1969
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...people consumptive, our arts enslaved. President Nixon's musical tastes range from a memorable arrangement of America the Beautiful for forty oil drums, to the Inaugural performance of All We Like Sheep by that otiose organ of musical dyspepsia, the Mormon Tabernacle Choir. Television emerges briefly from its ashcan to air a splendid production of Midsummer Night's Dream and then proceeds to ruin the gesture by taking out a full-page newspaper advertisement the next day celebrating its wondrous beneficence. The Trustees of our orchestras are unconquerably reactionary, hopelessly clinging to the Romantic core of the repertoire. The ungainly...
...probe that old Platonic question. Says Kanovitz: "Certainly the film Rashomon and, more recently, the Warren Commission report illustrate how impossible it is to 'tell it the way it really is.' " Adds Morley: "Realism hasn't even been dealt with in the 20th century. The Ashcan School were all preachers, and pop artists are busy trying to make their painting abstract...
...sleepers who, like Rip Van Winkle, are returning to public esteem after a century of obscurity. American 19th century painting, from the works of such frontier reporters as George Caleb Bingham, whose pictures today bring as high as $250,000, to the early 20th century cityscapes of the Ashcan School, is enjoying a remarkable revival. A Hudson River landscape by Frederick Church that sold for $3,500 in the 1950s went last year for $40,000; a canvas by Thomas Eakins or Winslow Homer can bring...
...hulking (6 ft. 4 in.) son of a Nyack, N.Y., merchant was always a loner. He devoured Tolstoy and Turgenev in high school, went to New York at 17 to study at the New York School of Art with Robert Henri, a leader of the Ashcan School. Hopper learned there that the proper study of American artists is American daily life, but the dark, flamboyant style that Henri encouraged among Hopper's fellow students, most notably George Bellows and Rockwell Kent, was not for Hopper. Instead, he went on to Paris, absorbed the lighter palette of the impressionists...
...Paulo Bienal. Said Brandeis University's William Seitz, who made the selection: "There is no other master who can better represent what is most characteristic of art in the U.S. A pioneer in representing 'unpaintable' American subjects, he provides a bridge from the Ashcan School to the decade...