Word: ashcan
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Dates: during 1990-1999
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...painters who reported on it were nicknamed the Ashcan School by a critic in the 1930s, and the label has stuck. They were Robert Henri, John Sloan, George Luks, Everett Shinn, William Glackens and George Bellows, and among them they created the first art of urban America. The current show at the National Museum of American Art in Washington, "Metropolitan Lives: The Ashcan Artists and Their New York," is a fine introduction to their work...
...immersed in mess--a manual worker of images. This makes him one with the city and its people. For poetic spirit, he should emulate Walt Whitman, learning to embrace the body of the city and contain multitudes, dirt and all. The masculine realism of Winslow Homer inspired all the Ashcan artists--they, especially Henri and Bellows, wanted to be Homers of the city...
...origins. Born in Wilkes-Barre, Pennsylvania, Kline had an entirely traditional training at the Art Students League in Boston, wanted to be an illustrator and studied for a time (1936-38) in London. He was imbued with the thick-massed but linear realism that came out of the Ashcan School and filled the cartoons that John Sloan and others did for periodicals like the New Masses. He doted on Krazy Kat (as did his friend Philip Guston) and the superstylish illustrations of John Held Jr. The black-and-white tradition was in his head, where it coexisted with a considerable...
...mindedness and conscience has given us whatever we have enjoyed of liberty, while success and industry have fattened our GNP. On the downside, the worship of usefulness has impoverished American art; one takes the bad with the good. Italians invented the Renaissance -- and live in chaos. We produced the Ashcan school -- and Abraham Lincoln...
...over his work after 1914. Actually, Bellows was given to sudden shifts of style, but as the art historian Michael Quick points out in the show's useful catalog, his response to the transatlantic avant-garde was to get interested in theory, a fact that "removes Bellows from the Ashcan School context and places him among the modernist painters of his generation...