Word: ashli
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Dates: during 1990-1999
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...Mateo's Crib It's baby's first convertible--a rocking cradle that segues neatly into a bassinet. Designed by Alberto Mantilla and Anthony Baxter of Curve I.D., it's intended to rockabye babies between birth and six months. The body, of molded plywood with an ash veneer, rests on a table base of solid ash. It has the simplicity of a Shaker basket with a touch of nursery humor, yet even those smiles are functional handles. Mies van der Rohe himself would smile at that...
Tonight's event--a holiday party featuring card, bow and gift-wrap making, as well as collections to benefit Toys for Tots and Rosie's Place--is sponsored by the Radcliffe College Alumnae Association and Boston Recent Graduates. It will be held in the Cronkhite Living Room at 3 Ash St., from...
...Another City, Not My Own, Dunne has threaded his personal story. After arriving in Los Angeles in the late 1950s, he led an A-list social life but was a B-list producer, making The Boys in the Band, The Panic in Needle Park and the Elizabeth Taylor flop Ash Wednesday. "I hated Nick in the old days," says Sue Mengers, the most powerful agent in Hollywood at the time. "I thought he was superficial and arrogant." Dunne would agree...
...before this can be done, Salome explains, there is another crucial part of the cure. Holding a coconut-shell bowl containing ashes, she flicks them in the direction of Cox, who is playing the patient. When he soberly asks why the ashes are necessary, she replies that they enhance "spiritual transmission" between healer and patient. "We Westerners have to suspend judgment at these times," says Cox. "Look at our own belief in doctors wearing white coats. In Western culture that uniform is comparable to the 'spiritual transmission' she sees in the use of ash...
...Garton Ash writes, "the temptation is always to pick and choose your past," since a kind of Heisenberg uncertainty principle applies: the very act of opening a door into one's personal history changes the artifacts buried inside. That observation applies as much to James Salter's stylish Burning the Days as to Garton Ash's sprightly The File...